Look Around You

*checks notes*

Yep, talented people still suck.

Look Around You is a British television comedy series devised and written by Robert Popper and Peter Serafinowicz, and narrated in the first series by Nigel Lambert. The first series of eight 10-minute shorts was shown in 2002, and the second series of six 30-minute episodes in 2005, both on BBC Two. The first series of Look Around You was nominated for a BAFTA award in 2003.

The humour is derived from a combination of patent nonsense and faithful references and homages. For instance, fictional items that have a passing resemblance to everyday objects are shown and discussed. Such items include the “boîte diabolique”, a box at the top of a piano scale which housed the “forbidden notes”; and “Garry gum”, a performance-enhancing chewing gum which has the unfortunate side-effect of inducing diarrhoea, necessitating the consumption of “anti-Garry gum”. Each episode begins with a “countdown clock”, similar to the one used on ITV Schools programmes from 1979 to 1987. The music that accompanies the countdown is in the same spirit as the original, but is played on a solo guitar, and at the beginning of the “Brain” module, the guitarist can be heard tuning.

The module subjects are distorted beyond recognition; for instance, germs are described as coming from Germany, and whisky is said to be made by combining water with nitrogen. The maths module features a distorted and inaccurate version of the ancient ‘seven cats’ puzzle by Ahmes. Additionally, subjects are mixed: for example, a chemistry experiment about eggs (In the episode Water) turns into a French language lesson. Each episode follows a general format, beginning with an introduction to the subject, followed by a series of silly experiments performed by the hapless (and normally mute) scientists, played by Popper, Serafinowicz and Edgar Wright, among others.

This is “Music,” episode 6 from the first season.

Bid On That Axe, Eugene

David Gilmour is probably my all time favorite guitar player, and he’s selling a bunch of his guitars for charity. 120 of them. He’s even selling the “Black Strat” that he played on Dark Side of the Moon, Wish you Were Here, Animals, and The Wall. So that’s the guitar that was used for Time, Comfortably Numb, Shine on You Crazy Diamond, and Run Like Hell. Day-um… I’d just like to see that guitar, and I can’t imagine what it would be like to own it. Check out the auction here…  

So if you’ve got $100,000 burning a hole in your pocket, go pick one up.

Fuck Me, Don’t Tell A Soul Is 30

Released February 1, 1989. This makes me feel older than turning 50. To put it in perspective, this post is the equivalent of the 20-year-old me in 1989 talking about an album that came out in 1959.

Wiki-wiki-wikipedia says …

Don’t Tell a Soul marked the debut of Bob “Slim” Dunlap, who replaced founding guitarist Bob Stinson. The album was recorded at Cherokee Studios in Los Angeles and produced by Matt Wallace and the band. It was mixed by Chris Lord-Alge, who decided to give the record “a three-dimensional, radio-ready sound”. However, singer and guitarist Paul Westerberg was not satisfied with the new direction, commenting: “I thought the little things I’d cut in my basement were closer to what I wanted.”

To celebrate, let’s all take a moment and watch one of my favorite rock ‘n’ roll moments.

As explained by a lesser blog

Before the show, they were told they needed to change the line, “We’re feeling good from the pills we took.” Well, fittingly, Westerberg did no such thing, and the censors were obviously ready for it, as the tape goes silent during that section of the song. What the censors at ABC didn’t anticipate was this: Near the conclusion of “Talent Show” the lyrics address the time when the band hits the stage and there’s no retreating: “It’s too late to turn back, here we go” is repeated twice on the album version, but here Westerberg has changed the line to “It’s too late to take pills, here we go”—ha! The censors missed it and they’ve pissed everyone off again! To add insult, the line is sung three times.

Let It Be

This should be inneresting:

Peter Jackson has signed on to direct a second archive project: a film edited from the full 55 hours of footage of the Beatles’ Let It Be recording sessions.

Jackson will somehow produce a 65 hr documentary. Apparently the original version is getting a scrub and re-release to coincide.