I read Doctor Sleep a few years ago and liked it okay. Maybe the movie won’t suck, I dunno. It’s somewhat reassuring that the director is Mike Flanagan, the same guy who helmed Gerald’s Game and The Haunting of Hill House for Netflix. There’s already a backlash on the Internet (because of course there is) for leaning heavily into Kubrick’s film – but I get it.
The soundtrack to Stanley Kubrick’s A Clockwork Orange was released to accompany the 1971 film of the same name. The music is a thematic extension of Alex’s (and the viewer’s) psychological conditioning. The soundtrack of A Clockwork Orange comprises classical music and electronic synthetic music composed by Wendy Carlos. Some of the music is heard only as excerpts, e.g. Edward Elgar’s Pomp and Circumstance March No. 1 (a.k.a. Land of Hope and Glory) heralding a politician’s appearance at the prison.
The main theme is an electronic transcription of Henry Purcell’s Music for the Funeral of Queen Mary, composed in 1695, for the procession of Queen Mary’s cortège through London en route to Westminster Abbey. “March from ‘A Clockwork Orange'” (based on the choral movement of the Ninth Symphony by Beethoven) was the first recorded song featuring a vocoder for the singing; synthpop bands often cite it as their inspiration.
Switched-On Bach features ten pieces by Bach available under the public domain, performed by Carlos, with assistance from Folkman, on a modular Moog synthesizer. Carlos worked closely with Robert Moog, designer of the instrument, throughout the recording process, testing his components and suggesting improvements. The album was recorded in a studio in the basement of a brownstone building acquired by Carlos and Elkind in the West Side of Manhattan in New York City, using a custom-built 8-track recording machine constructed by Carlos from components built by Ampex.
Recording was a tedious and time-consuming process; as the synthesizers were monophonic, meaning only one note can be played at a time, each track was assembled one at a time. According to Carlos: “You had to release the note before you could make the next note start, which meant you had to play with a detached feeling on the keyboard, which was really very disturbing in making music.” The synthesizer was unreliable and often went out of tune; Carlos recalled hitting it with a hammer prior to recording to obtain correct levels. After several notes were played, it was checked again to make sure it had not “drifted”. According to Carlos, Switched-On Bach took approximately five months and a total of one thousand hours to produce.
Bach provided only two chords for the second movement of the Brandenburg Concerto No. 3 in G Major, intending that the musician would improvise on these chords. Carlos carefully constructed this piece to showcase the capabilities of the Moog.
Two episodes in to HBO’s new miniseries and I’m hooked. Thanks for the recommendation, Droog!
The attention to detail is amazing, all the way down to the slightly fucked up font used in the credits. There’s a great interview with writer/producer Craig Mazin on Vice regarding his motivation to get it right.
Chernobyl accomplishes this, in part, by adhering as closely as it can to historical fact. Every major character save one—a nuclear physicist played by Emily Watson—has a real-life counterpart, from the scientist in charge of cleanup efforts (Valery Legasov, played by Jared Harris), to the wife of a firefighter at the scene of the explosion (Lyudmilla Ignatenko, played by Jessie Buckley). The clothing Chernobyl’s characters wear, the cars they drive, the cigarettes they smoke, the glassware they drink from, the wallpaper in their homes—all of it is staggeringly accurate, a product of more than two and a half years of research.
So anyway, podcast. It provides additional information for each episode in the five-part series, so watch an episode and then give the podcast a listen.
‘Still Ill: 25 Years of the Beastie Boys’ Ill Communication’ features Michael “Mike D” Diamond and Adam “Ad-Rock” Horovitz diving deep into the making of the band’s epic 1994 album – and, arguably, one of their high points as artists and generational touchstones. The 15-minute documentary tracks the Beastie Boys’ rejuvenation in the years after the release of 1989’s Paul’s Boutique – now considered a masterpiece but at the time a commercial flop – first with 1992’s Check Your Head and ultimately with Ill Communication, which produced the epic single and music video “Sabotage” and returned them to playing arenas.
Featuring interviews with Diamond and Horovitz from this March in Austin, Texas — as well as new interviews with keyboardist Mark “Money Mark” Nishita and producer Mario Caldato and rarely-seen 1990s footage of the band – Still Ill focuses heavily on late Beastie Boy Adam “MCA” Yauch and his contributions to Ill Communication. Through footage and the words of his friends, the documentary captures Yauch’s journey into activism, which would blossom with the Tibetan Freedom Concerts later in the decade, as well as his famous denunciation of misogyny in hip-hop on the single “Sure Shot”: “I want to say a little something that’s long overdue / The disrespect to women has got to be through / To all the mothers and sisters and the wives and friends / I want to offer my love and respect to the end.”