Whole Lotta Borrowing

Speaking of The Small Faces, here’s their take on Muddy Waters’ “You Need Love.”  You’ll note that Robert Plant, who used to run errands for The Small Faces, later put this to use in “Whole Lotta Love.”  Some music nerds give themselves wedgies over all this, but you’ve gotta concede that Jimmy Page improved it by adding one of the all-time greatest rock riffs.  Fun Fact: when JP was forming what would become Led Zeppelin, Steve Marriott was high on his list of singers until The Small Faces’ manager threatened to break his hands.

By the way, below is the single version of “Whole Lotta Love” which cut out the free-form middle section of bongos, theremin, and Robert Plant gearing up for a sneeze that never comes.  Atlantic did originally put out the whole song as a single, but radio stations would create their own versions without the middle part.  Atlantic responded by re-releasing its own edited single over the objections of the band.  So if you didn’t own the lp and listened to AM radio, this is what you usually heard:

Gismo!

Because everyone should hear this song at least once.

And Now For Something Completely Obscure

Electronic pop duo Silver Apples released their first album in ’68.  I believe that makes them the first ever electronic pop band, predating Can, Kraftwerk, et al.  If any of you bastards know of someone prior to these guys, please clue me in.  They sold very few albums, but one somehow ended up in my house in the mid 70’s.  Ignorant that they predated Kraftwerk, I pretty much dismissed them because I didn’t like the songs very much.  They typically set up good initial ideas but, in my opnion, are let down by the singing and trippy lyrics, which creep me out for some reason.   But the electronic sounds are innovative and excellent.  Those sounds come from “The Simeon,” a primitive, homemade synth built by singer Simeon Coxe, an Alabaman.  He was just stringing together old WWII oscillators and claims that at the time  he’d never heard of Moogs or other synthesizers in develpoment.

Silver Apples’ legacy is hard to pin down.  Some 90’s experimental bands have cited them as an influence, but what about the electronic innovators of the 70’s?  You never heard a word about these guys back then, so did they influence Krautrock, Eno, Devo, prog rockers, or just work in a vacuum?  Who knows, but I can’t help but love their oddball creativity.  Very much in the tradition of American cranks innovating alone in the basement or garage.  But overall they show that first usually isn’t best.

Here is their full story, which is very interesting.  If you want to hear more, below is the entire first album and one song, “You and I”, from their second and final album, which was withdrawn soon after release.  The opening of “You and I” is suspiciously like “Station To Station,” but  I have no idea if Bowie was familiar with it.  The whole second album, which I haven’t heard,  is also on YouTube.