Here’s a great 32-year-old article from SPIN’s archives, from around the time that I was getting into them. (Yes, I was late to the party and had to work my way back through the Twin/Tone albums.) The band had just parted ways with manager Pete Jesperson, fired lead guitarist Bob Stinson, and released one of their best albums, Pleased To Meet Me. Recorded right here in Memphis!
“When we started,” [Westerberg] says, pausing to sip from a midmorning Schmidt, “we definitely had a fear of success. We had a fear of everything. We were all very paranoid, and I think that goes hand in hand with the excessive drinking thing. We’d get drunk because we were basically scared shitless, and that snowballed into image. Now we’re a little more assured of what we’re doing. We’re not positive which way we’re going, but we think we know what mistakes lie ahead, and we’re trying to sidestep ‘em.”
Trump delivered an inspiring speech to celebrate our nation’s independence yesterday, and dropped a little unknown history in doing so. I had no idea that our army controlled the air in the Revolutionary War, and we also controlled all the airports. George Washington was a pilot not to be fucked with…
‘Still Ill: 25 Years of the Beastie Boys’ Ill Communication’ features Michael “Mike D” Diamond and Adam “Ad-Rock” Horovitz diving deep into the making of the band’s epic 1994 album – and, arguably, one of their high points as artists and generational touchstones. The 15-minute documentary tracks the Beastie Boys’ rejuvenation in the years after the release of 1989’s Paul’s Boutique – now considered a masterpiece but at the time a commercial flop – first with 1992’s Check Your Head and ultimately with Ill Communication, which produced the epic single and music video “Sabotage” and returned them to playing arenas.
Featuring interviews with Diamond and Horovitz from this March in Austin, Texas — as well as new interviews with keyboardist Mark “Money Mark” Nishita and producer Mario Caldato and rarely-seen 1990s footage of the band – Still Ill focuses heavily on late Beastie Boy Adam “MCA” Yauch and his contributions to Ill Communication. Through footage and the words of his friends, the documentary captures Yauch’s journey into activism, which would blossom with the Tibetan Freedom Concerts later in the decade, as well as his famous denunciation of misogyny in hip-hop on the single “Sure Shot”: “I want to say a little something that’s long overdue / The disrespect to women has got to be through / To all the mothers and sisters and the wives and friends / I want to offer my love and respect to the end.”
I’m not sure about this movie. It’s interesting that they’re focusing on his death, but it looks like they take a lot of license and it might slip into some kind of fantasy / horror angle, so it could be really bad. I stayed in the St. Charles where JT died. Why would you go to New Orleans to get cleaned up?
This deluxe two-volume slipcased set explores seven-time Academy Award–winner Rick Baker’s 40-year journey as a special makeup effects artist
From the gory zombies of Michael Jackson’s Thriller and the staggeringly lifelike Bigfoot in Harry and the Hendersons to the creative builds in Men in Black and the groundbreaking effects in An American Werewolf in London, Rick Baker’s special effects, makeup, and prosthetics count among some of Hollywood’s most enduring achievements.
This deluxe, two-volume slipcased set is replete with more than 1,000 four-color images and original sketches. It covers the makeup artist’s 40-plus year career in which he’s earned seven Academy Awards, one Emmy, and three British Academy Film Awards, among numerous others.
Imprint: Cameron Books
Publication Date: October 22, 2019
Trim Size: 10 1⁄2 x 13 1⁄4
Page Count: 736
Illustrations: More than 1,000 color illustrations
Format: Two-volume set, hardcover with slipcase
EDIT: Rick Baker’s Instagram is here. Definitely worth a look.
This one may not be around long, but definitely worth a look.
It occurs to me that one of my earliest childhood memories is going to the Summer Twin Drive-In with my parents. (It’s still around, one of the few drive-ins left in the United States.) Of course, being from the South, we had a pickup truck. My mom and dad watched The Sting. I got in the truck bed, and unbeknownst to them, watched The Exorcist.
In his second punk documentary, filmmaker Danny “Looking for Johnny” Garcia takes a deep dive into the life and legacy of the Dead Boys front man. Included in STIV is some rare footage and lore about Stiv’s surprising career before and after the Dead Boys, as well as the hilarious stories and hijinks one associates with the punk legend who died at age 40 in 1990.
Yeah, we were told that Elvis wasn’t discovered as such at all! He was just some freaky-looking kid always making a nuisance of himself around Sun Studios and nobody wanted to know him. Like here’s this guy who dyed his fuckin’ eyebrows and dressed in black pimp clothes—and this was the ‘50s in the South, you’ve got to remember—and Sam Phillips and all the session guys thought he was some disgusting little faggot!
However Elvis did have this one piece of luck. His mother, right, had a really bad weight problem and the doctor prescribed her this enormous supply of diet pills which just happened to be… these pills were just pure benzedrine, right, which is a very potent form of speed.
And all those Sun guys just lived on speed, man. So when Phillips found out that Elvis could get bottles of these things, he let him hang around. So, like, here was Elvis every week bringing huge bottles of these pills to the guys at Sun until, as he was the studio’s main source of supply for speed, Phillips was more or less obliged to let him cut a record.
So like, rock ‘n’ roll was born simply because Elvis Presley was Sun Records’ number one speed dealer.