I watched them on Hulu, but they’re available everywhere, I’m sure. The first recommendation is The Quiet One, a film about retired Stone Bill Wyman. I think it was released last summer.
Throughout his three-decade career as a founding member of and bassist for The Rolling Stones, Bill Wyman was known to the world as the “quiet one” in the band. Now, the famously private music legend speaks out about his extraordinary life and experiences as part of “the greatest rock and roll band in the world.” Opening up his vast personal archive—a lifetime’s worth of previously unseen home movies, photographs, and memorabilia—Wyman reflects on his early years with The Stones, the band’s meteoric rise to fame, and his search for a sense of “normalcy” amidst the whirlwind of sex, drugs, and rebellion. Endearingly humble and down-to-earth, Wyman pulls back the curtain to offer a one-of-a-kind perspective on life as a reluctant rock star.
The second is 2007’s Joe Strummer: The Future Is Unwritten, which you bastards have probably already seen. I missed it, somehow.
… paints an uncommonly colorful picture of the onetime leader of The Clash. Director Julien Temple reveals Strummer as more than a punk legend, but a stunning cultural communicator whose influence knew no bounds.
A rare peek behind the mask when Alice Cooper was still scaring the adults.
… we have uncovered an interview of Alice Cooper in the midst of the massively successful 1973-1974 Billion Dollar Babies tour. In the video, he is interviewed at the Hotel Hesperia in Helsinki, Finland, discussing his stage persona, rock music, violence, his audiences, and musical influences.
At the time, Alice was in Europe to promote the original band’s upcoming film, “Good To See You Again, Alice Cooper”, which predominately featured live concert footage filmed at the 1973 Sam Houston Coliseum show. Alice then headed to Brazil where the band became the first western band to perform there.
This rare interview filmed by YLE, The Finnish Broadcasting Company for the Finnish TV Show “Iltatähti”, was originally broadcast on April 13, 1974.
Born Innocent will introduce a wider audience to two of the coolest people alive. The McDonald Brothers embody Southern California, rock and roll, and what it means to be an artist. They have influenced independent music in ways that beg to be acknowledged. From helping invent Beach Punk to influencing the Grunge and Glam Metal movements, Redd Kross have maintained the highest level of musical integrity, originality and quality for over forty years.
Surprise! Liz Phair has a new memoir coming out in October called Horror Stories. In the meantime, here’s a fan-fucking-tastic Vulture interview.
So when your indie record Guyville became a phenomenon, was that difficult?
Yes. If I’d only had success in the indie world, my music would have been contextualized more accurately. They would have understood a little more of the art project behind it. Rather than thinking that I was literally saying I wanted to be your blow-job queen, you know?
Once you’re in a wider world, and People magazine picks it up, the nuance is gone. And of course, Matador was like, “Keep going! We’re doing great!”
For The Replacements, I mean. This is the demo version of “Raised in the City,” which I hadn’t heard until Other Other Elvis hipped me to that song-ranking site. Far superior to the album version.
The band soon recorded a four-song demo tape in Mars’s basement and handed it to Peter Jesperson in May 1980. Westerberg originally handed in the tape to see if the band could perform at Jay’s Longhorn Bar, a local venue where Jesperson worked as a disc jockey. He eavesdropped as Jesperson put in the tape, only to run away as soon as the first song, “Raised in the City,” played. Jesperson played the song again and again. “If I’ve ever had a magic moment in my life, it was popping that tape in,” said Jesperson. “I didn’t even get through the first song before I thought my head was going to explode.”