A new stage show produced by Beatle expert Mark Lewisohn sheds some light on a story we thought we knew. From The Guardian …
They’ve wrapped up the recording of Abbey Road, which would turn out to be their last studio album, and are awaiting its release in two weeks’ time. Ringo Starr is in hospital, undergoing tests for an intestinal complaint. In his absence, John Lennon, Paul McCartney and George Harrison convene at Apple’s HQ in Savile Row. John has brought a portable tape recorder. He puts it on the table, switches it on and says: “Ringo – you can’t be here, but this is so you can hear what we’re discussing.”
What they talk about is the plan to make another album – and perhaps a single for release in time for Christmas, a commercial strategy going back to the earliest days of Beatlemania. “It’s a revelation,” Lewisohn says. “The books have always told us that they knew Abbey Road was their last album and they wanted to go out on an artistic high. But no – they’re discussing the next album. And you think that John is the one who wanted to break them up but, when you hear this, he isn’t. Doesn’t that rewrite pretty much everything we thought we knew?”
Full article here, including a link to tour dates for a show I would kill to see.
If Target can put up Halloween costumes and decorations the first week of September, I can talk about Dracula. I never noticed this before …
Extreme Nerdy Horror Trivia! In the classic 1931 Dracula starring Bela Lugosi, why is there a piece of cardboard on a lamp? An error, or was it actually something intentional?
And best YouTube quote …
Why is there so much Dracula in my cardboard movie?
For The Replacements, I mean. This is the demo version of “Raised in the City,” which I hadn’t heard until Other Other Elvis hipped me to that song-ranking site. Far superior to the album version.
The band soon recorded a four-song demo tape in Mars’s basement and handed it to Peter Jesperson in May 1980. Westerberg originally handed in the tape to see if the band could perform at Jay’s Longhorn Bar, a local venue where Jesperson worked as a disc jockey. He eavesdropped as Jesperson put in the tape, only to run away as soon as the first song, “Raised in the City,” played. Jesperson played the song again and again. “If I’ve ever had a magic moment in my life, it was popping that tape in,” said Jesperson. “I didn’t even get through the first song before I thought my head was going to explode.”
I miss Chappelle’s Show.
Think Mrs. Makerbot would go for this?
A new documentary about Bowie called “Finding Fame” is out on Showtime. Mrs. Droogie and I stumbled on it the other night. I’m a big David Bowie fan, so I’m a bit biased, but I loved it. A lot of what’s covered in this happened before my time and when I was just a wee Droog, so it’s nice to hear the story of how he became popular. Dude was ahead of his time for sure. Check out the trailer here…
Some of his really early songs were crap, and then he somehow pulled Space Oddity out of nowhere.
I’m intrigued enough that I will be making a purchase very shortly. From The Verge …
Audible Studios’ new audio drama Alien III by William Gibson offers one of those alternate paths for the Alien series. Gibson, the author of Neuromancer and Mona Lisa Overdrive, has his own vision of what happened after Ripley, Hicks, Bishop, and Newt nuked LV-426 from orbit in Aliens. What was once a discarded draft has, in the hands of writer and director Dirk Maggs, become a fleshed-out audio production featuring Aliens stars Michael Biehn (as Hicks, the Marine who showed Sigourney Weaver’s Ripley how to fire a high-powered gun in Aliens) and Lance Henriksen (as Bishop, the “artificial person” who changes Ripley’s mind about working with synthetic life forms). Close your eyes, and it’s like slipping into an alternate universe in which this is the third Alien film, rather than the one we know.
You can pick it up here.
Fun if for no other reason than you get to see a shitload of mind-numbingly expensive watches all in one place.
A silly question that we get asked quite a bit here at HODINKEE is, “What is the best watch?” Sure, I get why people ask it and what they’re getting at, but it’s impossible to say anything is “the best” when you’re dealing with something as subjective and personal as wristwatches. What you like aesthetically, the history that’s meaningful to you personally, and the idiosyncrasies of how you live your life all impact that answer of that question. However, there’s a similar question that we also get asked a lot, for which I do think there are a few good answers: “What is the most important watch of all time?” The Rolex Submariner is a pretty darn good answer. It’s not the only answer, but it’s one that I find tough to argue with.
Miss Violet Beauregarde, gone too soon.
Okay, Denise Nickerson.