I can’t really tell what the story is supposed to be about, but this looks pretty good. Brad Pitt has a way of finding ways to get in cool movies, so I’m going to give them the benefit of a doubt. I’m not seeing Samuel L Jackson, so that’s a minus, but Margot Robbie is nice eye candy. What say you bastards?
Ooh! Ooh!
Any of you bastards ever see Moon? (AKA the tiny, old-school-sci-fi movie that David Bowie’s son directed.) Can’t believe it came out 10 years ago, but then, I can’t believe I’m 50. Go figure.
Moon is on Netflix at the moment, and well worth a look. It’s best to go in cold though, so don’t watch trailers or read spoilerish reviews. It’s so beloved that a book is coming out later this year to commemorate its 10-year anniversary. Check it out …
Titan Books and Liberty Films are delighted to announce the publication of Making Moon to coincide with the 10th anniversary of Moon’s initial release, as well as the 50th anniversary of the Apollo 11 moon landing. Director Duncan Jones’ feature film debut, Moon won the BAFTA for Outstanding Debut by a British Writer, Director or Producer, along with numerous film critic and film festival awards. Moon was also nominated for the BAFTA for Best British Film and the Saturn Award for Best Science Fiction Film in 2009.
Directed by Duncan Jones, and written by Nathan Parker from a story by Jones, Moon is a 2009 science fiction drama following Sam Bell (Oscar®-winner Sam Rockwell), a man who experiences a personal crisis as he nears the end of a three-year solitary stint mining helium-3 on the moon. Independently financed and produced on a modest budget, Moon became an instant cult classic. It was well received by critics and audiences alike, and was particularly praised for its scientific plausibility and realism.
Set to publish on 3 September 2019, Making Moon will take an in-depth look back at the film’s production. It features interviews with the film’s key creatives and includes rare concept and behind-the-scenes images, as well as excerpts from the original shooting script.
I’m In
42 days, you nerdy bastards.
What If Superman Was An Asshole?
This is getting a lot of buzz over at Birth.Movies.Death. …
What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister? With Brightburn, the visionary filmmaker of Guardians of the Galaxy and Slither presents a startling, subversive take on a radical new genre: superhero horror.
May 24!
Roger The Dogman Mask
Holy shit, how cool would this be?
Trick or Treat Studios and Warner Brothers are proud to present the officially licensed The Shining Roger the Dogman Mask.
Based on hundreds of images of the actual screen used mask, this is the ultimate replica of the Rodger the Dogman in the Stanley Kubrick classic, The Shining.
Sculpted by Megan Many, every detail of Rodger the Dogman can be seen in this incredible mask.
$59.99! Cheap! Get yours here!
What Was The Message, Mr. Gardner?
Peter Sellers hated that this blooper reel was stuck over the end credits of Being There (and felt that it cost him the Oscar for Best Actor that year). I will never not laugh at it.
Welcome To The Basement
Anybody ever heard of it? These guys are goofy fun (and bad teeth) personified. This episode features one of my all-time favorite cult classics: Phantom of the Paradise. Make that my all-time favorite cult classic. I have to watch it at least once a year, much to my wife’s disgust. And don’t even get me started on the soundtrack. Pure GOLD.
“Welcome To The Basement” is a show about watching, discussing and having fun with movies. Matt choses the movie and Craig doesn’t know what it is until the cameras start rolling, so none of the discussion or riffing is planned ahead of time.
A cinematic odyssey through the rock universe?
I Really Want To See This
And I don’t care what you say.
Laurel & Hardy, one of the world’s great comedy teams, set out on a variety hall tour of Britain in 1953. Diminished by age and with their golden era as the kings of Hollywood comedy now behind them, they face an uncertain future. As the charm and beauty of their performances shines through, they re-connect with their adoring fans.
The tour becomes a hit, but Stan & Ollie can’t quite shake the specter of Laurel and Hardy’s past; the long-buried ghosts, coupled with Oliver’s failing health, start to threaten their precious partnership. A portrait of the most tender and poignant of creative marriages, they are aware that they may be approaching their swan song, trying to rediscover just how much they mean to each other.
The Dude … Returns?
Well, probably not. In fact, this is likely just a teaser for a Super Bowl ad, or possibly a Lebowski spinoff starring John Turturro (Going Places) expected later this year. So …
But! If you’ve always wanted a sweater like The Dude’s, you’ll be happy to learn that Pendleton is making them again! The ORIGINAL WESTERLEY has finally returned, and it’ll only set you back $239.00.
Check Out These Early Spider-Man: Into The Spider-Verse Animatics
So sayeth animator Alberto Mielgo …
As I mentioned before, I was hired to direct the animation test for the new Spiderman film.
Here you can see my original storyboards and animatics that I produced for such a test. My main intention was to explore the language of comics and cinema and merge them together. We finished only 4 of this shots. And everyone ended up pretty exhausted!!!
The shots that we produced with an incredible technical team were some of the most amazing thing Ive seen, and Im extremely proud of them and the team involved. With those shots we open a door to a pipeline and possibilities and help to estimate the overall film.
I hope Sony will allow me to share the finished shots some time in the future .Im really happy to see that most of my shots on this early boards made it to the final film. Again I would like to congratulate the whole team that finished the final film for preserving the compositions and the original intention of these shots. It shows that everyone felt inspired and that they really cared for this particular vision.
As you can see the 3 versions are very different in tone. It was early and I was not too sure yet what would be the final mood of this film yet.
I work with pencil, photoshop, I do the comp in After FX and my edits in Premiere, with my own sounds and all bunch of crap in Audition… Did I ever say how much I love adobe?
Music on this obviously temp score just for the edit.
My pick temp track artist:
v1: SON LUX
v2: LEFTFIELD
v3: MAXIMONO