In case you missed it.
I’m not sure that a discussion about this band is allowed on this forum, but I need to weigh in on Tool.
I hadn’t hear one of their songs(except Sober) until a couple of weeks ago, after they released a new song, and finally got their stuff on streaming platforms. I was too busy studying the pie hole back in to 90’s to pay attention to them, and I certainly wasn’t going to spend money on a CD from a band who’s logo is a wrench that looks like a dick. Plus their songs are really long, and that’s saying something coming from a jam band fan boy.
Fast forward to Labor Day weekend… I’m hooked. I basically spent last weekend working my way through their albums, and I’m digging me some Tool. I don’t even know what you’d call it… metal? It’s prog rock for sure, and it’s pretty heavy.
Any of you bastards listen to these guys? They’re a bit different from the normal stuff here on the blargh. If you haven’t heard them, here’s a few to get you started. If you like really long songs with a shit ton of fuzzy distorted guitar, and a drummer that sounds just like Neil Peart, you might like Tool. Here’s a couple to get you started…
So I guess I’m in the Tool army, and I’ll be seeing them November 8…
This is some Blade Runner shit right here.
Cutting-edge technology in 1984!
The cowboy’s name was Wallace Irving Robertson. Apparently
Because I’m done for the day.
One Day Builds are back! Adam takes us through another spaceship model build, this time utilizing his trusty vacuum former, sheet styrene, and years of experience from his special effects modelmaking days. As the spaceship takes shape, Adam introduces several new tools and tips for this kind of modelmaking, and shows the versatility of this kind of build.
Check out “Twink” miming with The Pretty Things for a bewildered French TV audience. Ever heard of Twink? I hadn’t, so I poked around on Google. Nicknamed after a British hair product, Twink was a mime, drummer, close friend of Syd Barrett, and general scenester of the London psychedelic underground. He played drums with an early version of T. Rex, with Syd Barret occasionally, on one Pretty Things album, and with the Pink Fairies. In the early 70’s, he was in Hawkwind with Lemmy. His band The Rings were on the ground floor of the London punk scene in ’77. Some refer to their lone single, “I Wanna be Free” as England’s first punk record. It’s not very good compared to what was about to come from the Damned, Sex Pistols, Buzzcocks, Clash, and Jam.
What led me to this video was my fondness for The Pretty Things, a very good British r&b band who never made any headway in the U.S. Their guitarist, Dick Taylor, had been in an early version of the Stones. Like the Stones, their forays into psychedelia were not always memorable, as you can hear above. You can hear them at their best here and here. Their raucous version of Roadrunner is my favorite cover of that song.
I somehow made it to 50 without ever reading any of Raymond Carver’s short stories, but I’m fixing that now with this collection. Great stuff! Little depressing slices of life that any bastard can relate to. Perfect bedtime reading …
By the time of his early death in 1988, Raymond Carver had established himself as one of the great practitioners of the American short story, a writer who had not only found his own voice but imprinted it in the imaginations of thousands of readers. Where I’m Calling From, his last collection, encompasses classic stories from Cathedral, What We Talk About When We Talk About Love, and earlier Carver volumes, along with seven new works previously unpublished in book form. Together, these 37 stories give us a superb overview of Carver’s life work and show us why he was so widely imitated but never equaled.
I picked this one up in hardback at Barnes & Noble for a few bucks. Chabon I’m quite familiar with, having read The Amazing Adventures of Kavalier & Clay, The Yiddish Policemen’s Union, Wonder Boys, and Werewolves in Their Youth. I honestly believe Chabon is one of our greatest living writers. Anyhoo …
In 1989, fresh from the publication of his first novel, The Mysteries of Pittsburgh, Michael Chabon traveled to his mother’s home in Oakland, California, to visit his terminally ill grandfather. Tongue loosened by powerful painkillers, memory stirred by the imminence of death, Chabon’s grandfather shared recollections and told stories the younger man had never heard before, uncovering bits and pieces of a history long buried and forgotten. That dreamlike week of revelations forms the basis for the novel Moonglow, the latest feat of legerdemain from Pulitzer Prize-winning author Michael Chabon.
I wish I had a music teacher like this when I was in school. This guy gets all these kids to sing Optimistic by Radiohead, and they killed it. So good to see young kids from diverse backgrounds exposed to artists like this. Check out this guys You Tube page. They cover some pretty good songs, not just the modern crap that passes for music these days…
Dimitri Shostakovich wrote this (2nd movement, Symphony #10) as a musical portrait of Stalin, who had harrassed him directly and indirectly throughout his career. This is pure malevolence, published after Stalin was safely dead. While Uncle Joe was alive, DS was mostly confined to putting out government approved, “socalist realist” garbage, while keeping much of his “real” work private. Occasionally he could put one over on the Soviets and follow the letter of their requirements while mocking them. One cool thing is that in the finale of this same symphony, he has a theme based on his initials, DSCH, vie for dominance against the Stalin theme from this movement. DSCH wins. Artistic revenge at its finest. “He who laughs last, laughs longest.”
The conductor seems a little too into his hair, and I’m not sure why he appears to be grinning during this grim business. But you’ve gotta give him credit, his musicians are playing the hell out of this. He made his reputation whipping these young Venezuelans into a respectable unit. He’s since gone on to greener pastures in LA.
I know that we all ride hard for Tim Burton, but I haven’t even seen this yet. Am I kicked off the blaaaaaaaaaaagh?
”Ho-hum until it takes a turn toward the fascinatingly weird, the movie is a welcome declaration of artistic independence for Burton, who often strains against aesthetic and industrial restrictions. Watching him cut loose (more recklessly than his flying baby elephant) is by far the most unexpected pleasure of this movie, which dusts off the 1941 animated charmer with exhilaratingly demented spirit.”