Bastard Tested, Bastard Approved?

I’m not sure that a discussion about this band is allowed on this forum, but I need to weigh in on Tool.

I hadn’t hear one of their songs(except Sober)  until a couple of weeks ago, after they released a new song, and finally got their stuff on streaming platforms. I was too busy studying the pie hole back in to 90’s to pay attention to them, and I certainly wasn’t going to spend money on a CD from a band who’s logo is a wrench that looks like a dick. Plus their songs are really long, and that’s saying something coming from a jam band fan boy.

Fast forward to Labor Day weekend… I’m hooked. I basically spent last weekend working my way through their albums, and I’m digging me some Tool. I don’t even know what you’d call it… metal? It’s prog rock for sure, and it’s pretty heavy.

Any of you bastards listen to these guys? They’re a bit different from the normal stuff here on the blargh. If you haven’t heard them, here’s a few to get you started. If you like really long songs with a shit ton of fuzzy distorted guitar, and a drummer that sounds just like Neil Peart, you might like Tool. Here’s a couple to get you started…

So I guess I’m in the Tool army, and I’ll be seeing them November 8…

The Song That Started It All

For The Replacements, I mean. This is the demo version of “Raised in the City,” which I hadn’t heard until Other Other Elvis hipped me to that song-ranking site. Far superior to the album version.

The band soon recorded a four-song demo tape in Mars’s basement and handed it to Peter Jesperson in May 1980. Westerberg originally handed in the tape to see if the band could perform at Jay’s Longhorn Bar, a local venue where Jesperson worked as a disc jockey. He eavesdropped as Jesperson put in the tape, only to run away as soon as the first song, “Raised in the City,” played. Jesperson played the song again and again. “If I’ve ever had a magic moment in my life, it was popping that tape in,” said Jesperson. “I didn’t even get through the first song before I thought my head was going to explode.”

Replacements At A Turning Point

Here’s a great 32-year-old article from SPIN’s archives, from around the time that I was getting into them. (Yes, I was late to the party and had to work my way back through the Twin/Tone albums.) The band had just parted ways with manager Pete Jesperson, fired lead guitarist Bob Stinson, and released one of their best albums, Pleased To Meet Me. Recorded right here in Memphis!

“When we started,” [Westerberg] says, pausing to sip from a midmorning Schmidt, “we definitely had a fear of success. We had a fear of everything. We were all very paranoid, and I think that goes hand in hand with the excessive drinking thing. We’d get drunk because we were basically scared shitless, and that snowballed into image. Now we’re a little more assured of what we’re doing. We’re not positive which way we’re going, but we think we know what mistakes lie ahead, and we’re trying to sidestep ‘em.”

Full article here.

It Doesn’t Get Much Better Than This

Wiki-Wiki-Wikipedia provides a little history and significance.

“Teenage Kicks” was the debut single for Northern Irish punk rock/new wave band The Undertones. Written in the summer of 1977 by the band’s principal songwriter, John O’Neill, the song was recorded on 15 June 1978 and initially released that September upon independent Belfast record label Good Vibrations, before the band—at the time unobligated to any record label—signed to Sire Records on 2 October 1978. Sire Records subsequently obtained all copyrights to the material released upon the Teenage Kicks EP and the song was re-released as a standard vinyl single upon Sire’s own label on 14 October that year, reaching number 31 in the UK Singles Chart two weeks after its release.

Upon first hearing “Teenage Kicks” in September 1978, BBC Radio 1 DJ John Peel is reported to have burst into tears, and readily admitted to still being reduced to tears upon hearing the song in interviews granted to journalists up until his death. To judge songs he had heard for the first time as to worthiness of airplay upon his show, Peel often rated new bands’ songs with a series of asterisks, with each song judged upon a scale of one to five asterisks: Peel was so taken by “Teenage Kicks”, he awarded the song 28 stars. On one occasion, he is known to have played the song twice in a row, with the explanation given to his audience being, “It doesn’t get much better than this.”

In a 2001 interview given to The Guardian, Peel stated that apart from his name, the only words he wished to be engraved upon his gravestone were the opening lyrics to “Teenage Kicks”: “Teenage dreams so hard to beat.”

In February 2008, a headstone engraved with these words was placed on his grave in the Suffolk village of Great Finborough.

Any Good Thing They Ever Sold They Stole

New Titus Andronicus, from the album An Obelisk. Out today!

They’re taking an old religion, fitting it with a different name
Now we’re cutting our own incisions and inserting their hurting pain
It’s another innocent victim shivering in the frigid cold
They’re making a dirty fortune selling something that’s barely working
An inferior version of rock and roll
Or whatever else ever has touched your soul
Call it what you will — there’s a billion of them they sold
They’re taking credit that they’re not earning
Any good thing they ever sold they stole

Oh yeah

They’re making a television different than the old one was
A limited deluxe edition, it’s a superior version of
Of the previous week’s installment, but ain’t it all the same? (Pretty much)
Yet I comfort myself at night with transmission by satellite
It’s like a good enough facsimile of real love
I guess I got a habit same as everyone else does
We’re all banging down doors, trying to grab that stuff
But we never should have left it up to the judge
That passed the bill that illegalized us
They illegalized us

Oh yeah

The inferior version, it isn’t really rock and roll
It’s but a shallow imitation — it doesn’t really get ya goin’
And there ain’t no good explanation why it’s flying off the shelves
It’s a sorry situation — entire world’s going to hell
But I in no way blame myself
Though I helped those bastards to sell that inferior version we love so well
An inferior version of rock and roll
An inferior version of rock and roll
They’re making a dirty fortune off an inferior version of rock and roll

Whoa yeah

Sweet Jebus

8-year-old Japanese girl KILLS IT. Watch her footwork closely – those triplets are a motherfucker.

Favorite YouTube comment: No matter how good you are on your instrument of choice there’s always going to be an Asian child somewhere who’s better than you.

I Will Find A Way

Everybody knows this one. But did you know there was a 1974 Capitol Records version of “Shake Some Action?” (I’m guessing Renfield does.)

A lot of folks on YouTube prefer this other one, but I don’t know. See what you bastards think …