Tales of True Adventure for Rugged Men Not Unlike Yourself
If there’s an afterlife, I want it to look like this.
San Diego Comic-Con is unfathomably massive, and we walk through the entire show floor to give you a sense of the exhibit hall’s scope and scale. Norm and Kishore take us to some of their favorite booths in one continous walk, navigating through the crowds, cosplay, and collectibles of Comic-Con 2019.
Second and (I think) final trailer for IT Chapter 2, Electric Boogaloo. Now with 37% more Bill Hader!
September 5 will be here soon, you bastards …
Evil resurfaces in Derry as director Andy Muschietti reunites the Losers Club in a return to where it all began with “IT Chapter Two,” the conclusion to the highest-grossing horror film of all time.
Twenty-seven years after the Losers Club defeated Pennywise, he has returned to terrorize the town of Derry once more. Now adults, the Losers have long since gone their separate ways. However, kids are disappearing again, so Mike, the only one of the group to remain in their hometown, calls the others home. Damaged by the experiences of their past, they must each conquer their deepest fears to destroy Pennywise once and for all…putting them directly in the path of the clown that has become deadlier than ever.
The film is Muschietti’s follow-up to 2017’s critically acclaimed and massive global box office hit “IT,” which grossed more than $700 million worldwide. Both redefining and transcending the genre, “IT” became part of the cultural zeitgeist.
“IT Chapter Two” stars James McAvoy (the “X-Men” movies, “Split,” “Glass”) as Bill, Oscar nominee Jessica Chastain (“Zero Dark Thirty,” “Mama,” “Molly’s Game”) as Beverly, Bill Hader (HBO’s “Barry,” “The Skeleton Twins”) as Richie, Isaiah Mustafa (TV’s “Shadowhunters: The Mortal Instruments”) as Mike, Jay Ryan (TV’s “Mary Kills People”) as Ben, James Ransone (HBO’s “The Wire”) as Eddie, and Andy Bean (“Swamp Thing,” “Allegiant”) as Stanley. Reprising their roles as the original members of the Losers Club are Jaeden Martell as Bill, Wyatt Oleff as Stanley, Jack Dylan Grazer as Eddie, Finn Wolfhard as Richie, Sophia Lillis as Beverly, Chosen Jacobs as Mike, and Jeremy Ray Taylor as Ben. Bill Skarsgård returns in the seminal role of Pennywise.
New single from Everything Hits At Once: The Best of Spoon, coming July 26th.
Check it, yo.
Here’s a great 32-year-old article from SPIN’s archives, from around the time that I was getting into them. (Yes, I was late to the party and had to work my way back through the Twin/Tone albums.) The band had just parted ways with manager Pete Jesperson, fired lead guitarist Bob Stinson, and released one of their best albums, Pleased To Meet Me. Recorded right here in Memphis!
“When we started,” [Westerberg] says, pausing to sip from a midmorning Schmidt, “we definitely had a fear of success. We had a fear of everything. We were all very paranoid, and I think that goes hand in hand with the excessive drinking thing. We’d get drunk because we were basically scared shitless, and that snowballed into image. Now we’re a little more assured of what we’re doing. We’re not positive which way we’re going, but we think we know what mistakes lie ahead, and we’re trying to sidestep ‘em.”
Full article here.
This time I fell for the Vostok Amphibia, a ridiculously affordable Russian diver. Watch the video for a little history – it’s fascinating stuff. There seem to be hundreds of styles to choose from on this site. Here’s mine.
Oh! For you trivia-obsessed bastards, this is the watch that Steve Zissou’s crew wore in Wes Anderson’s The Life Aquatic with Steve Zissou, only it was this dial …
In a short musical film directed by Paul Thomas Anderson, Thom Yorke of Radiohead scores and stars in a mind-bending visual piece.
Best played loud.
Album available for digital download ($11! Cheap!) June 27, film available on Netflix … June 27!
ANIMA:
01 Traffic
02 Last I Heard (…He Was Circling the Drain)
03 Twist
04 Dawn Chorus
05 I Am a Very Rude Person
06 Not the News
07 The Axe
08 Impossible Knots
09 Runwayaway
Since one of you bastards broke iTunes and got it cancelled for the rest of humanity, I’ve been looking for new Apple products to consume.
The soundtrack to Stanley Kubrick’s A Clockwork Orange was released to accompany the 1971 film of the same name. The music is a thematic extension of Alex’s (and the viewer’s) psychological conditioning. The soundtrack of A Clockwork Orange comprises classical music and electronic synthetic music composed by Wendy Carlos. Some of the music is heard only as excerpts, e.g. Edward Elgar’s Pomp and Circumstance March No. 1 (a.k.a. Land of Hope and Glory) heralding a politician’s appearance at the prison.
The main theme is an electronic transcription of Henry Purcell’s Music for the Funeral of Queen Mary, composed in 1695, for the procession of Queen Mary’s cortège through London en route to Westminster Abbey. “March from ‘A Clockwork Orange'” (based on the choral movement of the Ninth Symphony by Beethoven) was the first recorded song featuring a vocoder for the singing; synthpop bands often cite it as their inspiration.
Switched-On Bach features ten pieces by Bach available under the public domain, performed by Carlos, with assistance from Folkman, on a modular Moog synthesizer. Carlos worked closely with Robert Moog, designer of the instrument, throughout the recording process, testing his components and suggesting improvements. The album was recorded in a studio in the basement of a brownstone building acquired by Carlos and Elkind in the West Side of Manhattan in New York City, using a custom-built 8-track recording machine constructed by Carlos from components built by Ampex.
Recording was a tedious and time-consuming process; as the synthesizers were monophonic, meaning only one note can be played at a time, each track was assembled one at a time. According to Carlos: “You had to release the note before you could make the next note start, which meant you had to play with a detached feeling on the keyboard, which was really very disturbing in making music.” The synthesizer was unreliable and often went out of tune; Carlos recalled hitting it with a hammer prior to recording to obtain correct levels. After several notes were played, it was checked again to make sure it had not “drifted”. According to Carlos, Switched-On Bach took approximately five months and a total of one thousand hours to produce.
Bach provided only two chords for the second movement of the Brandenburg Concerto No. 3 in G Major, intending that the musician would improvise on these chords. Carlos carefully constructed this piece to showcase the capabilities of the Moog.
