Two episodes in to HBO’s new miniseries and I’m hooked. Thanks for the recommendation, Droog!
The attention to detail is amazing, all the way down to the slightly fucked up font used in the credits. There’s a great interview with writer/producer Craig Mazin on Vice regarding his motivation to get it right.
Chernobyl accomplishes this, in part, by adhering as closely as it can to historical fact. Every major character save one—a nuclear physicist played by Emily Watson—has a real-life counterpart, from the scientist in charge of cleanup efforts (Valery Legasov, played by Jared Harris), to the wife of a firefighter at the scene of the explosion (Lyudmilla Ignatenko, played by Jessie Buckley). The clothing Chernobyl’s characters wear, the cars they drive, the cigarettes they smoke, the glassware they drink from, the wallpaper in their homes—all of it is staggeringly accurate, a product of more than two and a half years of research.
So anyway, podcast. It provides additional information for each episode in the five-part series, so watch an episode and then give the podcast a listen.
One Day Builds are back! Adam takes us through another spaceship model build, this time utilizing his trusty vacuum former, sheet styrene, and years of experience from his special effects modelmaking days. As the spaceship takes shape, Adam introduces several new tools and tips for this kind of modelmaking, and shows the versatility of this kind of build.
The Frankenstein Monster’s skull, possibly one of the coolest things I’ve ever seen. Every detail is perfect, from the flat metal plate on top being held in place by clamps to the wires running down the back of the skull to the neck bolts. My favorite part is the unevenly placed lid, haphazardly attached as if the person who made it didn’t know quite what he was doing – or was in a hurry. The little baroque nameplate on the base is a lovely touch as well.
Discovered amongst several other skeletons in a burned out castle in Darmstadt, Germany this strange skull is all that remains of what is believed to be the creation of Dr. Viktor Frankenstein. While somewhat crude in its design, the function of the skull was to enable repeated surgeries as well as to act as a conductor for electricity. A rudimentary iron skull cap is riveted to heavily calcified bone growth and a bulbous forehead. Wired from the skull down to the base, are the two neck electroconductors.
Sculpted and hand finished by professional artist Thomas Kuebler, this Frankenstein skull with spine is cast in solid resin chosen for its resemblance to actual bone. It measures about 15 inches from the top of the skull to the wood base, and the skull is about 9 inches from the top of the skull to the mandible. No detail has been missed in this mysterious and very rare piece of horror history. It is a must have for Frankenstein fans and horror enthusiasts or the collector of oddities.