I returned to console gaming last year after acquiring my son’s never-used PS4. I’m pretty picky about what I play, but I quickly realized that anything Naughty Dog releases will be top notch. I bought The Last of Us Remastered at Target on a whim and I couldn’t put it down. After that, it was The Last of Us: Left Behind, Uncharted 4: A Thief’s End and then Uncharted: The Lost Legacy.
Rumor has is that The Last of Us Part II is coming sometime next year.
On June 12, 1970, Dock Ellis threw a no-hitter for the Pittsburgh Pirates. In 136 years of baseball history, only 276 no-hitters have been recorded. Dock is the only pitcher to ever claim he accomplished his while high on LSD.
I love how he tries to rescue only priests. At the end is a good poke at the BBC, who in 70’s-80’s had a fetish for earnest, depressing documentaries. Maybe they still do, I haven’t been over there in a while.
Great interview with Monte Melnick on the Please Kill Me blargh. If you don’t feel like reading the whole thing, here’s the best part.
PKM: There’s a great story in your book that takes place in a Texas gas station.
Monte A. Melnick: My favorite story. This was early on. We were driving through rural Texas, driving five or six hours, and we pulled into a gas station to get some gas, and there was a little store there too, so they all pile out of the van, looking like zombies. They were staggering around because they were seven hours in the van. So they’re in the store looking at stuff, and I come in to pay for the gas and the lady says “It’s sure nice of you to take care of these retarded boys.”
New & exclusive 2018 Raw Studio Mix video with never-before-seen footage.
The IMAGINE Raw Studio Mixes place you in the centre of Ascot Sound Studios with John Lennon and The Plastic Ono Band all around you. No reverb or echo, no effects, no strings, just live, unvarnished and raw. Available in stereo and exclusively in 5.1 Surround Sound in The Ultimate Collection Box Set.
Imagine you are at the Lennon’s home, Tittenhurst Park in Ascot, England. It’s night. It’s the last week in May in 1971 and you are their special guest, sat in a chair in the very center of the their recording studio, Ascot Sound Studios. John Lennon is sat in front of you, teaching the musicians one of his latest compositions. He is talking and singing and playing the same wood-finish Epiphone Casino electric guitar he played on ‘Revolution’. A bearded George Harrison is in front of you, to the right, playing electric slide on John’s pale blue Fender Strat. Just behind you and to your right, Rod Lynton with Ted Turner from Wishbone Ash are strumming chords on twelve string acoustic guitars, and directly behind you to the right, John and George’s old friend Klaus Voormann is playing his deep hand-painted Fender Precision bass. Behind you to the left, Alan White (who would later join Yes) is playing his Ludwig silver sparkle drumkit, and in front of you to the left, John Tout from Renaissance is playing chords on the Steinway upright piano, and to his right, Nicky Hopkins is improvising on the red-top Wurlitzer Electric Piano, literally days before he leaves for Nellcôte to play on Exile on Main Street with The Rolling Stones. You are listening to the band playing ‘How Do You Sleep’ and all the hairs are standing up on your arms.
For the Raw Studio Mix of ‘How Do You Sleep?’ (Takes 5 & 6) In the Imagine Ultimate Collection Box Set on Blu-Ray Audio Disc 2, the 5.1 Surround Sound positions are:
Front Centre – John Lennon: electric guitar, vocal
Front Left – Nicky Hopkins: electric piano
Front Right – George Harrison: electric slide guitar
Surround Left – Alan White: drums
Surround Right – Klaus Voormann: bass
About ‘How Do You Sleep?’ by John & Yoko
excerpted from the 120 page book in the Imagine Ultimate Collection Box Set
John: Somebody said the other day ‘It’s about me’. You know, there’s two things I regret. One is that there was so much talk about Paul on it, they missed the song. It was a good track. And I should’ve kept me mouth shut – not on the song, it could’ve been about anybody, you know? And when you look at them back, Dylan said it about his stuff, you know, most of it’s about him. The only thing that matters is how he and I feel about those things and not what the writer or the commentator thinks about it, you know? Him and me are OK. So I don’t care what they say about that, you know? I’ve always been a little, you know, loose. And I hope it’ll change because I’m fed up of waking up in the papers. But if it doesn’t, my friends are my friends whatever way.