And When I Get Excited, My Little China Girl Says…

I’ve never seen the unedited video.

It’s hard to imagine in these times, just how much of an uproar the unedited version of David Bowie’s China Girl video created when it was first released in 1983.

The effect on ordinary folk was like that scene in Perfume, with folk ripping off each other’s clothes and fornicating in the streets and the like.

OK, it wasn’t quite like that, but there was certainly a right brouhaha in the press and it was even banned by TV stations the world over.

The David Mallet directed video featured New Zealand model Geeling Ng, and the final moments of the video with her naked in the surf with Bowie (which got some a little hot under the collar), was a visual reference to the film From Here To Eternity.

Of course, this was all a bit of a distraction from the intended message of the video and possibly even Iggy Pop’s original lyric too.

Mainly shot in the Chinatown district of Sydney, the China Girl video (along with the previous Let’s Dance video), was a critique of racism with Bowie describing it as a “very simple, very direct” statement against racism.

Bowie said in Rolling Stone that same year: “Let’s try to use the video format as a platform for some kind of social observation, and not just waste it on trotting out and trying to enhance the public image of the singer involved. I mean, these are little movies, and some movies can have a point, so why not try to make some point.”

And in another interview at the time, Bowie opined: “The message that they [the videos] have is very simple, it’s wrong to be racist!”

Which is funny, because Iggy Pop says the lyrics are about his infatuation with Kuelan Nguyen as a metaphor for his time with the Stooges.

Ramones 12th Show Ever

CBGB, September 15th, 1974. If there’s anything better than this, I don’t want to know what it is. Including the between-song arguments and Tommy bitching about how fast everything is.

1) Now I Wanna Sniff Some Glue
2) I Don’t Wanna Go Down to the Basement
3) Judy Is a Punk

Knights In Satan’s Service

A friend texted me late Saturday morning with two extra tickets to the KISS show at the FedEx Forum. Uh … yes, please!

Way back in 1977, 8-year-old me wanted to see them at the Midsouth Coliseum (on December 9, to be exact), but my mom waited too late to get tickets. The only seats left were behind the stage. *sad trombone*

My next shot was at The Pyramid on April 25, 2000, with Ace and Peter returning from exile for the band’s first farewell tour. A friend told me not to worry, he knew somebody who could get us free tickets. Predictably, no tickets – free or otherwise – were forthcoming, and the show sold out. *sad trombone*

Anyway, this show was a lot of fun! Here’s the set list.

Detroit Rock City
Shout It Out Loud
Deuce
Say Yeah
Heaven’s on Fire
War Machine
Lick It Up (with “Won’t Get Fooled Again” snippet)
Calling Dr. Love
100,000 Years (with drum solo)
God of Thunder (with bass solo)
Cold Gin (with guitar solo)
Psycho Circus
I Love It Loud
Let Me Go, Rock ‘N’ Roll
Love Gun (Paul on stage over crowd)
I Was Made for Lovin’ You (Paul on stage over crowd)
Black Diamond

Encore:
Beth (Eric Singer on piano)
Do You Love Me
Rock and Roll All Nite (Tommy and Gene over crowd)

They Don’t Bother Me

Everybody has those inexplicable how-the-hell-did-I-miss-this pop culture gaps. Graham Parker is one of mine. Based on everything else I’m into, his music should have been an undeniable can’t miss. I mean, he sounds like Costello, Nick Lowe, or even early Joe Jackson to my ear. What’s not to love? But besides this one song, which I’ve heard less than 10 times in 50 years, I can’t name anything else by him.

Weird.

But this one song is pretty great.

Welcome To The Basement

Anybody ever heard of it? These guys are goofy fun (and bad teeth) personified. This episode features one of my all-time favorite cult classics: Phantom of the Paradise. Make that my all-time favorite cult classic. I have to watch it at least once a year, much to my wife’s disgust. And don’t even get me started on the soundtrack. Pure GOLD.

“Welcome To The Basement” is a show about watching, discussing and having fun with movies. Matt choses the movie and Craig doesn’t know what it is until the cameras start rolling, so none of the discussion or riffing is planned ahead of time.

A cinematic odyssey through the rock universe?

Fuck Me, Don’t Tell A Soul Is 30

Released February 1, 1989. This makes me feel older than turning 50. To put it in perspective, this post is the equivalent of the 20-year-old me in 1989 talking about an album that came out in 1959.

Wiki-wiki-wikipedia says …

Don’t Tell a Soul marked the debut of Bob “Slim” Dunlap, who replaced founding guitarist Bob Stinson. The album was recorded at Cherokee Studios in Los Angeles and produced by Matt Wallace and the band. It was mixed by Chris Lord-Alge, who decided to give the record “a three-dimensional, radio-ready sound”. However, singer and guitarist Paul Westerberg was not satisfied with the new direction, commenting: “I thought the little things I’d cut in my basement were closer to what I wanted.”

To celebrate, let’s all take a moment and watch one of my favorite rock ‘n’ roll moments.

As explained by a lesser blog

Before the show, they were told they needed to change the line, “We’re feeling good from the pills we took.” Well, fittingly, Westerberg did no such thing, and the censors were obviously ready for it, as the tape goes silent during that section of the song. What the censors at ABC didn’t anticipate was this: Near the conclusion of “Talent Show” the lyrics address the time when the band hits the stage and there’s no retreating: “It’s too late to turn back, here we go” is repeated twice on the album version, but here Westerberg has changed the line to “It’s too late to take pills, here we go”—ha! The censors missed it and they’ve pissed everyone off again! To add insult, the line is sung three times.

That Missing Persons EP

Guilty Pleasure Time!

There’s a special place in my heart for the first self-released Missing Persons EP. Although technically, it’s the 1982 re-release I love, the one that replaced the original EP’s “Hello, I Love You” with “I Like Boys.” At this stage in my life, I don’t know if it’s an entirely accurate memory, but it seems like we spent a lot of time blasting this in a friend’s car one summer.

Anyway, as we’re living in the Digital Age, I now present to you the videos for the songs from that glorious EP.

You Get Nothing

Anybody ever heard this?

Willy Wonka is usually a very pleasant (albeit eccentric) chocolate tycoon. But when Charlie Bucket and Grandpa Joe steal the fizzy lifting drinks, he succumbs to a maniacal fit of rage and informs them that they get NOTHING!