Or, more specifically NO X 4. I think that’s how many films are coming out in 2028.
Peter Jackson says there’s eight hours of White Album material. Give me that – in grainy, poorly edited format – all day long over imitation crabmeat biopics.
Updated list of “Based on a True Story” productions I’ve managed to avoid:
– Elvis
– Dylan
– Jimi
– Brian Wilson
– Ray Charles
– Hank Williams
– Loretta Lynn
– Queen
– Elton John
– Weird Al
– Johnny Cash
– Bob Marley
I watched The Doors but regret it.
I confess to liking The Buddy Holly Story and La Bamba. And Backbeat.
They’ve got Barry Keoghan – whom I love – portraying Ringo.
Still not going.
And here’s the first single off her brand new album, Lost Weekend. (Edit) Incidentally, Makerbot, Jr. is going to see Bridgers in New York this fall. She’s just a wee bit excited.
On a motorbike, doing 90 in a 55
To another life
Where they make you cut your hair
Impatient with a rifle and your papers
Weightless but not scared
This machine is killing me
I pretended it was make believe
Lost boys
Never grow up, never go home
Lost boys
Never spend their lunch money, yeah
Lost boys
Never grow up, never get old
Lost boys, find me
That one time in East Berlin
Whеn you threw a tantrum with a 57
And broke a rib
You told me you wish you wеre dead
But I don’t believe that
I still wonder how you’re sleeping
And I don’t feel bad, but I’m sorry
This machine is killing me
I pretended it was make believe
Lost boys
Never grow up, never go home
Lost boys
Never spend their lunch money, yeah
Lost boys
Never grow up, never get old
Lost boys, find me
In a twin bed
Where all will be forgiven in an instant
Hands in each other’s hair
We are born again
So who cares where we’re going?
In the morning, you are not there
One, two, three, woo, ah
Lost boys
Never grow up, never go home
Lost boys
Never spend their lunch money, yeah
Lost boys
Never give up, never get old
Lost boys, come find me, yeah
Thanks to the absurdly kind generosity of a friend of ours, Monkeystador and I got to attend the Foo Fighters show in Nashville this past Saturday, which included backstage passes, a tour of all the gear, and a trip to Club Rami (named for the Foo’s keyboard player), a suite stocked with free beer and water.
I’m a casual Foo Fighters fan, but was very pleasantly surprised to learn that QOTSA were on the bill, and then positively THRILLED when they played several songs off my favorite album of theirs, Songs for the Deaf. Some nice YouTuber posted a couple of the highlights, which I now submit for your approval.
You can’t see us here, but were in the pit on the left side.
I’ve recently gotten hooked on this YouTube channel called SPEEED. As the title suggests, it’s mostly car stuff (the host, James Pumphrey, used to be one of the dudes on DONUT), but this episode seems most relevant to you bastards.
I should probably mention that the car videos are great, too. Pumphrey is obsessed with older, affordable foreign cars, and there are several videos devoted to modding and whatnot. Anyway, enjoy or don’t.
Of course I had to go see this despite reservations about Matt Damon. How could he possibly convince as the wily Odysseus? Well, the script helped him out by ignoring “wily” and turning Odysseus into a pensive, guilt-ridden bore, a complete anachronism. Mr. Damon had no problem with that.
But there’s plenty to like. Most of Homer’s Odyssey is a flashback, and Christoper Nolan handles matters temporal very well. The Polyphemus episode, as well as those of Circe and Scylla/Charybdis were excellent. As were the Shades emerging from Hades. Cool shipwrecks too.
The Laestrygons episode might have been better had Monty Python and the Holy Grail never existed. For some reason the giants were dressed in medieval armor, which made me expect them to demand a shrubbery or say “none shall pass.” As they were chasing the Greeks off the island, I was half-expecting the Greeks to start shouting “Run away, run away!”
In a similar vein, Agamemnon resembled Darth Vader, which seemed comical to me. I was reminded of Rick Moranis in Spaceballs.
Some of the inevitable changes to Homer worked well, others not. The movie cut the island of the Lotus Eaters, instead having Calypso give Odysseus lotus flowers to keep him forgetful and happy. Excellent idea. But for some reason Helen and Clytemnestra are now twins. Why? I get changes that make a leaner movie, but that seems random. And where the hell was Laertes?
Borrowing Sinon from the Aeneid was an excellent idea, but poorly executed. Excellent as a plot connection that I won’t get into here. But completely wrong as a character. Sinon was the point man for the Trojan Horse trick, a glib con-man. But in this movie he’s an awkward innocent who utters a few words after getting mortally wounded.
The Trojan Horse episode was well-depicted despite Sinon’s botched character and Agamemnon as Darth Vader. But due to Sinon’s reduced role and the absence of horse-doubters (Laocoon and Cassandra), the Trojans’ decision to accept the horse would seem like idiocy to those unfamiliar with the story. As a majority of Americans can no longer tell you who won WWII, that likely would be most people. Granted, Laocoon makes no appearance in Homer’s version, but if you’re borrowing Sinon to add coherence, why stop there?
My biggest problem with this movie involves a spoiler, so I’m mum on that.
Overall I enjoyed it and would recommend seeing it on the big screen. Shipwrecks. Mythical Monsters. Minimal CGI. Yes, please.