Phenomenal Kinks cover from 15 (!) years ago, bonus points for Andy Stack’s double duty on drums and keys. I think Wye Oak is still around but they haven’t released a studio album since 2018. Anyway, YouTube reminded me I really like this and now I’m telling you bastards. (Yes, I’ve probably posted this before.)
Labels Down, Frank
From Ars Technica …
The robotics startup Figure AI has been livestreaming humanoid robots placing thousands of packages onto a conveyor belt for nearly a week—a spectacle that included a robot competing against a human intern at one point.
The promotional robot demo has become a viral sensation among tech enthusiasts, spurring YouTube commenters to name the robots and the company to rapidly roll out related robot merchandise in response. Users on X have described the livestream in glowing terms, such as “the greatest product demo since Steve Jobs’ ‘one more thing.’” But despite such sentiments, it’s worth bearing in mind that even the most impressive robot demos represent narrow windows for understanding real-world robot capabilities.
Truly, we are living in the future. Oh! And don’t forget to pick up some merch!
Yes, I Ordered One

I’m usually not a fan of composer t-shirts, but I had to make an exception here: the fact that this image looks more like Clark Kent than Shostakovich makes some kind of demented sense to me. Hardly matters anyway. Only 0.000002% of Americans will know who it’s supposed to be.
Hell is Banjos
Survey of the Bastardate: what instrument would the Evil One choose to torment you for eternity?
Another Beatles Book?

You’d think the Beatles and Dylan had been examined from every possible angle, but nope. Here’s a chronological look at their careers in parallel, with plenty of commentary on their influence on each other, friendship, rivalry, etc. I’m about three fourths in, and I’ve enjoyed it. Good mixture of things I know, things I’d known and forgotten, and things I’d never known. It’s always interesting and moves along. A few of the analogies seem a bit forced, but of course no two people will agree on everything.
As I’m biased towards music over lyrics, I might have preferred a book on the Beatles and Brian Wilson, but no doubt they had fewer interactions.
One minor peeve. Like just about every other Beatles book, the quote about “Aeolian cadences” and Mahler’s Song of the Earth rears its ugly head like it’s evidence of the Beatles’ artistic viability. I don’t get why these journalists who are obviously good at research never bother to examine that quote. “Aeolian cadence “ has about as much meaning as “C major time signature” or “F minor drumstick.” Or “the explosion left a 15 mph deep crater. “ It makes no sense. And the song in question, “Not a Second Time,” absolutely does not end with the same chords or chord pattern as Song of the Earth. There’s no room for debate on the matter, it’s factually wrong.
I can’t believe that quote is still getting recycled. Just put it in the trash.
Bass Hunters
Previously brought to our attention by Senior Basstard Researcher Makerbot, this tale now has a slick BBC production. I’m trying to prune my streaming services, but may need to splurge for this one.
Who Needs K-Pop When U Got K-Rok
Memi.
Do Not Go Gentle
The premise of Last One Laughing UK is simple and diabolical: stick a bunch of professionally funny people in a room together for six hours and forbid them from laughing. Crack once and you get a warning, break a second time and you’re out.
Problem Solved
I could fight Waymo.
No Tape Left Behind

According to Gizmodo …
Aadam Jacobs first took his Dictaphone to a show in May 1984, when he ventured to a venue called the Arts Bar to see British free jazz psychonauts AMM. It was the first of hundreds of shows he’d record over the coming decades, and his extensive library of bootlegs live recordings is now in the process of being digitized and uploaded to The Internet Archive. As of April 2026, there are 2,443 recordings available, with many more to come—as per ABC News, Jacobs’ complete archive contains over 10,000 recordings, which represents a lifetime’s worth of truly heroic gig attendance (and has us worried for the state of his knees).
Even Jacobs’ very earliest recordings are of surprisingly good quality, despite being recorded on what was essentially a Dictaphone. By early 1985, he’d apparently invested in a Sony tape recorder and was also given to using a full-sized tape deck, which he would bring to shows in a backpack on the off chance that the sound guy would let him plug it in.
And here’s a few gems I’ve discovered this afternoon!
- Liz Phair Live at Lounge Ax 1999-03-14
- R.E.M. Live at UIC Pavilion 1986-10-19
- Jonathan Richman Live at Lounge Ax 1996-10-02
- The Replacements Live at Riviera Theatre 1987-08-07
- The Cure Live at The Bismarck Theatre 1984-11-09
- Alex Chilton Live at Cabaret Metro 1987-12-19
- Smoking Popes Live at Elston Avenue Sausage and Music Fest 2016-06-25
- The New Pornographers Live at Hideout 2001-02-25
- Nick Cave and The Bad Seeds Live at Cabaret Metro 1986-10-24
- Camper Van Beethoven Live at Cabaret Metro on 1988-07-15
