Tales of True Adventure for Rugged Men Not Unlike Yourself
This is such a great song.
Guitar riffs don’t come any simpler than this one, but the keyboard squiggles, horny lyrics and head-bobbing rhythms on this one are undeniably fun.
John M. Borack, Shake Some Action: The Ultimate Power Pop Guide
Somehow, I’ve never seen Cheap Trick live. SO MANY MISSED OPPORTUNITIES. Next time they’re anywhere close, I’m going. Sucks that I missed the Bun E. Carlos years, though.
Goddamn, I’m a sucker for these things.
In his second punk documentary, filmmaker Danny “Looking for Johnny” Garcia takes a deep dive into the life and legacy of the Dead Boys front man. Included in STIV is some rare footage and lore about Stiv’s surprising career before and after the Dead Boys, as well as the hilarious stories and hijinks one associates with the punk legend who died at age 40 in 1990.
Interview with the director right over here.
And here’s a panel interview from the world premiere a few days ago.
If Rick Beato says what the song is in the video’s title, YouTube takes it down. This one is “No One Knows,” the first single off of Songs for the Deaf. Incidentally, the last QOTSA album that interested me.
And here it is without all the music theory …
CBGB, September 15th, 1974. If there’s anything better than this, I don’t want to know what it is. Including the between-song arguments and Tommy bitching about how fast everything is.
1) Now I Wanna Sniff Some Glue
2) I Don’t Wanna Go Down to the Basement
3) Judy Is a Punk
Yes, please!
New and completely bonkers sci-fi series from Tim Miller (Deadpool) and David Fincher (Fight Club, Zodiac, Mindhunter). On Netflix March 15, you magnificent bastards. 18 animated stories, allegedly in a kind of Heavy Metal format.
David Gilmour is probably my all time favorite guitar player, and he’s selling a bunch of his guitars for charity. 120 of them. He’s even selling the “Black Strat” that he played on Dark Side of the Moon, Wish you Were Here, Animals, and The Wall. So that’s the guitar that was used for Time, Comfortably Numb, Shine on You Crazy Diamond, and Run Like Hell. Day-um… I’d just like to see that guitar, and I can’t imagine what it would be like to own it. Check out the auction here…
So if you’ve got $100,000 burning a hole in your pocket, go pick one up.
Released February 1, 1989. This makes me feel older than turning 50. To put it in perspective, this post is the equivalent of the 20-year-old me in 1989 talking about an album that came out in 1959.
Wiki-wiki-wikipedia says …
Don’t Tell a Soul marked the debut of Bob “Slim” Dunlap, who replaced founding guitarist Bob Stinson. The album was recorded at Cherokee Studios in Los Angeles and produced by Matt Wallace and the band. It was mixed by Chris Lord-Alge, who decided to give the record “a three-dimensional, radio-ready sound”. However, singer and guitarist Paul Westerberg was not satisfied with the new direction, commenting: “I thought the little things I’d cut in my basement were closer to what I wanted.”
To celebrate, let’s all take a moment and watch one of my favorite rock ‘n’ roll moments.
As explained by a lesser blog …
Before the show, they were told they needed to change the line, “We’re feeling good from the pills we took.” Well, fittingly, Westerberg did no such thing, and the censors were obviously ready for it, as the tape goes silent during that section of the song. What the censors at ABC didn’t anticipate was this: Near the conclusion of “Talent Show” the lyrics address the time when the band hits the stage and there’s no retreating: “It’s too late to turn back, here we go” is repeated twice on the album version, but here Westerberg has changed the line to “It’s too late to take pills, here we go”—ha! The censors missed it and they’ve pissed everyone off again! To add insult, the line is sung three times.
Shout out to all the bands who helped make you YOU.
This song really gets me in the holiday spirit.
