Yes, please!
New and completely bonkers sci-fi series from Tim Miller (Deadpool) and David Fincher (Fight Club, Zodiac, Mindhunter). On Netflix March 15, you magnificent bastards. 18 animated stories, allegedly in a kind of Heavy Metal format.
Welcome To The Basement
Anybody ever heard of it? These guys are goofy fun (and bad teeth) personified. This episode features one of my all-time favorite cult classics: Phantom of the Paradise. Make that my all-time favorite cult classic. I have to watch it at least once a year, much to my wife’s disgust. And don’t even get me started on the soundtrack. Pure GOLD.
“Welcome To The Basement” is a show about watching, discussing and having fun with movies. Matt choses the movie and Craig doesn’t know what it is until the cameras start rolling, so none of the discussion or riffing is planned ahead of time.
A cinematic odyssey through the rock universe?
How Many Do You Recognize?
Also, we are old.
Four video game sound designers explain the thinking behind some of the world’s most recognizable video game sounds. Featuring sounds from Pac-Man, Sonic the Hedgehog, Donkey Kong, Mario Kart, Contra, Street Fighter II, Doom and more!
Brutalism Is Back
In architecture, that is. Many think it’s hideous, but I’m a fan. According to Jessica Stewart at My Modern Met …
Known for its use of functional reinforced concrete and steel, modular elements, and utilitarian feel, Brutalist architecture was primarily used for institutional buildings. Imposing and geometric, Brutalist buildings have a graphic quality that is part of what makes them so appealing today. The word Brutalist doesn’t come from the architecture’s fortress-like stature, but from the raw concrete its often made from—béton brut.
Full article here; and over here, you can find 10 icons of Brutalism.
Half The Fun Of Growing A Beard Is Getting Rid Of It
Me, this weekend.
Every Day Is Clash Day
Day late, dollar short. Happy belated International Clash Day!
This is anti-racist, and anti-fear. This is pro-solidarity, pro-unity, and pro-inclusion. This is a public service announcement with GUITARS.
This is International Clash Day 2019, and all day long, all across the globe, we’re celebrating music as a tool for social consciousness, a band that made it sound so damn good, and an iconic record that still changes lives 40 years later.
Check out the other great posters on the dang ol’ site.
Shit
Albert Finney, aged 82, has shuffled off this mortal coil.
Think I’ll watch Miller’s Crossing this weekend …
Shit
George “The Geeker In Your Speaker” Klein – disc jockey, radio host, and li’l buddy to E, aged 83 years.
Spoiler Alert: Some Are Good, Some Are Shit
Dialect coach Erik Singer calls ’em like he see ’em.
John Byrne’s Studio
Okay, so I have a John Byrne obsession, so what? He’s still got some pretty cool shit in his studio …
John Lindley Byrne (/bɜːrn/; born July 6, 1950) is a British-born, Canadian raised, American writer and artist of superhero comics. Since the mid-1970s, Byrne has worked on many major superheroes, with noted work on Marvel Comics’ X-Men and Fantastic Four and the 1986 relaunch of DC Comics’ Superman franchise, the first issue of which featured comics’ first variant cover. Coming into the comics profession as penciller, inker, letterer and writer on his earliest work, Byrne began co-plotting the X-Men comics during his tenure on them, and launched his writing career in earnest with Fantastic Four (where he also served as penciler and inker). During the 1990s he produced a number of creator-owned works, including Next Men and Danger Unlimited. He scripted the first issues of Mike Mignola’s Hellboy series and produced a number of Star Trek comics for IDW Publishing. In 2015, Byrne and his X-Men collaborator Chris Claremont were entered into the Will Eisner Award Hall of Fame.