From Our RoboCop Remake, a project undertaken by a group of filmmakers pissed off about the 2014 RoboCop remake …
Our RoboCop Remake is a crowd-sourced feature based on the 1987 Paul Verhoeven movie. Pooling our resources through various filmmaking channels (including Channel 101) we are 50 filmmakers (amateur and professional) from Los Angeles and New York who have split the original RoboCop into individual chunks, remaking the movie ourselves. Not necessarily a shot-for-shot remake, but a scene-for-scene recreation. We’re big fans of the original RoboCop, and as filmmakers and film fans kinda rolling our eyes at the Hollywood remake machine, we’ve elected to do this remake thing our own way.
Our RoboCop Remake premiered in Los Angeles on January 26th 2014 and New York on February 5th. On February 6th, it was released online.
Because if anyone is going to ruin RoboCop, it’s us.
Recorded January 14, 1978, at the Winterland Ballroom in San Francisco, CA.
Setlist:
0:00:00 – God Save The Queen
0:04:13 – I Wanna Be Me
0:08:19 – I’m A Lazy Sod
0:10:42 – New York
0:14:25 – EMI
0:18:09 – Belsen Was A Gas
0:20:22 – Bodies
0:25:15 – Holidays In The Sun
0:29:19 – Liar
0:34:15 – No Feelings
0:37:18 – Problems
0:41:56 – Pretty Vacant
0:45:14 – Anarchy In The UK
0:49:00 – No Fun
The Winterland Ballroom, originally called the New Dreamland Auditorium, opened on June 29, 1928. It initially served as a venue for boxing, opera, and tennis matches, but sometime in the late 1930s, it began to be used as an ice skating rink too – hence the name change.
In 1966, world-renowned asshole Bill Graham began renting the 37,675 square foot space for the rock ‘n’ roll, and it hosted concerts by artists including Bruce Springsteen, The Rolling Stones, The J. Geils Band, The Who, Queen, Slade, Boston, Cream, Yes, Kiss, The Doors, Jimi Hendrix, Steppenwolf, Lynyrd Skynyrd, Styx, Van Morrison, The Allman Brothers Band, Big Brother and the Holding Company with Janis Joplin, Jethro Tull, Pink Floyd, Ten Years After, Rush, Electric Light Orchestra, Genesis, Jefferson Airplane, Traffic, Golden Earring, Grand Funk Railroad, Humble Pie, Bob Seger and the Silver Bullet Band, Robin Trower, Emerson, Lake & Palmer, Loggins and Messina, Lee Michaels, Heart, Journey, Deep Purple, J.J. Cale, Frank Zappa and the Mothers of Invention, Foghat, Mountain, B.B. King, Elvis Costello, and the incomparable Sha Na Na.
Legal capacity was 5,400 souls, so the Winterland was decent-sized but cozy. It was where Zeppelin first performed “Whole Lotta Love,” Scorsese shot The Last Waltz, and parts of “Frampton Comes Alive” were recorded.
Unfortunately, it also served as a sort of home base for The Grateful Dead, so it had to be torn down. Okay, not really. It was purchased by Consolidated Capitol Inc in 1978, demolished in 1985, and replaced with apartments.
Memoir by the cofounder and former lead guitarist of heavy metal giants Judas Priest
Judas Priest formed in the industrial city of Birmingham, England, in 1969. With its distinctive twin-guitar sound, studs-and-leather image, and international sales of over 50 million records, Judas Priest became the archetypal heavy metal band in the 1980s. Iconic tracks like “Breaking the Law,” “Living after Midnight,” and “You’ve Got Another Thing Comin'” helped the band achieve extraordinary success, but no one from the band has stepped out to tell their or the band’s story until now.
As the band approaches its golden anniversary, fans will at last be able to delve backstage into the decades of shocking, hilarious, and haunting stories that surround the heavy metal institution. In Heavy Duty, guitarist K.K. Downing discusses the complex personality conflicts, the business screw-ups, the acrimonious relationship with fellow heavy metal band Iron Maiden, as well as how Judas Priest found itself at the epicenter of a storm of parental outrage that targeted heavy metal in the ’80s. He also describes his role in cementing the band’s trademark black leather and studs image that would not only become synonymous with the entire genre, but would also give singer Rob Halford a viable outlet by which to express his sexuality. Lastly, he recounts the life-changing moment when he looked at his bandmates on stage during a 2009 concert and thought, “This is the last show.” Whatever the topic, whoever’s involved, K.K. doesn’t hold back.
