Another King: “She Used To Pound Down”

Carole King rules. Songs I forgot she wrote but probably you guys all know:

  • I’m Into Something Good (Herman’s Hermits)
  • Chains (Beatles)
  • The Loco-Motion (Grand Funk Railroad)
  • The Porpoise Song (Theme from “Head” The Monkees Movie)
  • Up On The Roof (The Drifters)

I included the above because I enjoy the Scottish punk versions of things, and go Monkees of course. In describing Up On The Roof:

Appropriately enough, the song was born among the rat-race noise of a crowded city street. “Carole came up with the melody in the car – an a cappella melody,” …

A peaceful moment above the fray would have seemed like heaven to King – a young woman with two children and a demanding full-time job in a hit factory. The sophisticated arrangement was overseen in the studio by King herself, who was barely 20 years old at the time. “Carole used to hang in there with us tough,” Drifters member Charlie Thomas told Emerson. “She used to pound down. She wasn’t no hard woman – a girl, at her age. But she played the piano and it was amazing the songs she gave us.

Hit Factory

I always forget they’re Californian, as it seems like they could have spewed forth from Appalachia, or anywhere.

Fogerty’s ’68-’70 run was nuts:

  • I Put A Spell On You
  • Proud Mary
  • Bad Moon Rising
  • Green River
  • Down On The Corner
  • Fortunate Son
  • Travelin’ Band
  • Who’ll Stop the Rain
  • Lookin’ Out My Back Door
  • Long As I Can See The Light

Been reading more about them, their implosion, all the record label nonsense.

I was alone when I made that [CCR] music. I was alone when I made the arrangements, I was alone when I added background vocals, guitars and some other stuff. I was alone when I produced and mixed the albums. The other guys showed up only for rehearsals and the days we made the actual recordings. For me Creedence was like sitting on a time bomb. We’d had decent successes with our cover of “Susie Q” and with the first album when we went into the studio to cut “Proud Mary.” It was the first time we were in a real Hollywood studio, RCA’s Los Angeles studio, and the problems started immediately. The other guys in the band insisted on writing songs for the new album, they had opinions on the arrangements, they wanted to sing. They went as far as adding background vocals to “Proud Mary,” and it sounded awful.

Righteous Gemstones

Any of you bastards watching this?  I’m through most of S1, and much of it is hilarious.  Bogs down a little in a couple of middle episodes involving flashbacks and a ho-hum subplot, but it picks up again and looks like it’s  heading for a strong finish.  I’m hearing S2 is good.

Come To Butthead

First half of season 4 coming January 21st. All episodes, you may ask? I don’t know, I might very well answer.

Rick Nielsen’s Guitar Collection

Here’s something to pass the time while you wait on those COVID test results.

When it comes to guitar collections, some are so large, so special, and so rare, that even the best collectors can’t help but do a double-take. This is how you would define Rick Nielsen’s collection – a total head-turner.

In the latest episode of “The Collection,” host Mark Agnesi heads to Rockford, IL, to visit the godfather of guitar hoarding. Rick Nielsen, the lead guitarist for Cheap Trick, takes us through his cavern of guitars. Ranging from quirky and strange to the ultimate rare and last of its kind. And in a “The Collection” first, Rick shows off three original 1958 Explorers out of only nineteen in existence.

While Rick’s guitar bevy is superior to most, what’s striking is his irreverence for ‘value’ in a world full of collectors and purists. In Rick’s eyes, the guitar belongs to him, and how pristine the guitar is doesn’t really matter. His passion for guitars and the guitar world is apparent as he is still adding to the vault. Follow along as Rick takes us through his fantastic collection.