Bob 2 Throbblehead

We must repeat!

Bob Casale, one of the 5 essential gears in the original Devo Fab 5, gets honored posthumously with this hand-numbered, limited edition, 7″ sculpted figure of 1,000 units. Bob is outfitted for devolved action with his “Duty Now for the Future” era helmet and protective pads circa 1979 and his classic Devo Tee and 3-D glasses.

This year marks legendary Devo’s 40th anniversary release of their iconic debut record, “Are We Not Men?, We Are Devo!” Commemorate Bob 2 (and his famous facial mole) by stepping up and becoming one of the few Throbblehead owning members of the Devolutionary Army.

Get yourn here.

UPDATE: Q: Are We Not Men? A: We Are Devo! came out 40 years ago. In its honor, 99% Invisible‘s Sean Cole investigates the creation of that iconic cover, interviewing all involved – INCLUDING CHI-CHI RODRIGUEZ.

Y’all Don’t Care

But this looks amazing, and glowing reviews are describing it as the most immersive gaming experience ever. (It scored a 97 on Metacritic, too.)

Available TODAY, bastards.

CNR

Weird Al Yankovic’s tribute to both Charles Nelson Reilly and The White Stripes. With a little help from Jib Jab.

Sex Pistols At Winterland

Recorded January 14, 1978, at the Winterland Ballroom in San Francisco, CA.

Setlist:
0:00:00 – God Save The Queen
0:04:13 – I Wanna Be Me
0:08:19 – I’m A Lazy Sod
0:10:42 – New York
0:14:25 – EMI
0:18:09 – Belsen Was A Gas
0:20:22 – Bodies
0:25:15 – Holidays In The Sun
0:29:19 – Liar
0:34:15 – No Feelings
0:37:18 – Problems
0:41:56 – Pretty Vacant
0:45:14 – Anarchy In The UK
0:49:00 – No Fun

The Winterland Ballroom, originally called the New Dreamland Auditorium, opened on June 29, 1928. It initially served as a venue for boxing, opera, and tennis matches, but sometime in the late 1930s, it began to be used as an ice skating rink too – hence the name change.

In 1966, world-renowned asshole Bill Graham began renting the 37,675 square foot space for the rock ‘n’ roll, and it hosted concerts by artists including Bruce Springsteen, The Rolling Stones, The J. Geils Band, The Who, Queen, Slade, Boston, Cream, Yes, Kiss, The Doors, Jimi Hendrix, Steppenwolf, Lynyrd Skynyrd, Styx, Van Morrison, The Allman Brothers Band, Big Brother and the Holding Company with Janis Joplin, Jethro Tull, Pink Floyd, Ten Years After, Rush, Electric Light Orchestra, Genesis, Jefferson Airplane, Traffic, Golden Earring, Grand Funk Railroad, Humble Pie, Bob Seger and the Silver Bullet Band, Robin Trower, Emerson, Lake & Palmer, Loggins and Messina, Lee Michaels, Heart, Journey, Deep Purple, J.J. Cale, Frank Zappa and the Mothers of Invention, Foghat, Mountain, B.B. King, Elvis Costello, and the incomparable Sha Na Na.

Legal capacity was 5,400 souls, so the Winterland was decent-sized but cozy. It was where Zeppelin first performed “Whole Lotta Love,” Scorsese shot The Last Waltz, and parts of “Frampton Comes Alive” were recorded.

Unfortunately, it also served as a sort of home base for The Grateful Dead, so it had to be torn down. Okay, not really. It was purchased by Consolidated Capitol Inc in 1978, demolished in 1985, and replaced with apartments.

Mort Drucker Interview

Fantastic.

One of the most innovative, inspirational and imitated artists in the history of cartooning, Mort Drucker has illuminated the pages of MAD Magazine since 1956 with his brilliant movie and TV caricatures. His Time covers hang in the National Portrait Gallery and he holds an Honorary Doctor of Fine Arts degree from the Art Institute of Boston. In 1987, the National Cartoonists Society awarded him the profession’s highest honor, the Reuben Award for Outstanding Cartoonist of the Year.

In 2015, he became the inaugural recipient of the NCS Medal of Honor. To mark the occasion, the NCS created a commemorative video. Filmed at Mort’s home studio in Long Island, New York, the legendary artist talked to his friend and fellow cartoonist John Reiner, the artist on the hugely popular features The Lockhorns, Howard Huge and Laugh Parade.

In a warm and enthralling conversation, the pair reflected on Mort’s path from his teenage days as a comic book assistant artist to his rapid ascent to the pinnacle of the profession, and discussed the attention to detail and quest for cartooning excel;;once that haas been the hallmark of Drucker’s illustrious career.