1. horse on the bottle
2. brand begins with a B
3. named after a guy
— Matt Ufford (@mattufford) April 16, 2021
Going to need Renfield to peruse this thread and give us the lowdown.
0:00 Cut-Out Witch
3:01 Wrong Turn On
4:52 I Am A Scientist
7:45 Rally Boys
9:33 Game of Pricks
I’m currently reading Closer You Are: The Story of Robert Pollard and Guided By Voices, so here’s a little GBV for you. I must say, His Bobness is looking rather healthy these days.
We like her, right? Wish she was the real president.
A friend came across this while trying to identify a cool old building in my hometown. (The building turned out to be a brewery.) The ad campaign did not stay with dirigibles for very long.
This is worth a look.
‘Still Ill: 25 Years of the Beastie Boys’ Ill Communication’ features Michael “Mike D” Diamond and Adam “Ad-Rock” Horovitz diving deep into the making of the band’s epic 1994 album – and, arguably, one of their high points as artists and generational touchstones. The 15-minute documentary tracks the Beastie Boys’ rejuvenation in the years after the release of 1989’s Paul’s Boutique – now considered a masterpiece but at the time a commercial flop – first with 1992’s Check Your Head and ultimately with Ill Communication, which produced the epic single and music video “Sabotage” and returned them to playing arenas.
Featuring interviews with Diamond and Horovitz from this March in Austin, Texas — as well as new interviews with keyboardist Mark “Money Mark” Nishita and producer Mario Caldato and rarely-seen 1990s footage of the band – Still Ill focuses heavily on late Beastie Boy Adam “MCA” Yauch and his contributions to Ill Communication. Through footage and the words of his friends, the documentary captures Yauch’s journey into activism, which would blossom with the Tibetan Freedom Concerts later in the decade, as well as his famous denunciation of misogyny in hip-hop on the single “Sure Shot”: “I want to say a little something that’s long overdue / The disrespect to women has got to be through / To all the mothers and sisters and the wives and friends / I want to offer my love and respect to the end.”
The Frankenstein Monster’s skull, possibly one of the coolest things I’ve ever seen. Every detail is perfect, from the flat metal plate on top being held in place by clamps to the wires running down the back of the skull to the neck bolts. My favorite part is the unevenly placed lid, haphazardly attached as if the person who made it didn’t know quite what he was doing – or was in a hurry. The little baroque nameplate on the base is a lovely touch as well.
Discovered amongst several other skeletons in a burned out castle in Darmstadt, Germany this strange skull is all that remains of what is believed to be the creation of Dr. Viktor Frankenstein. While somewhat crude in its design, the function of the skull was to enable repeated surgeries as well as to act as a conductor for electricity. A rudimentary iron skull cap is riveted to heavily calcified bone growth and a bulbous forehead. Wired from the skull down to the base, are the two neck electroconductors.
Sculpted and hand finished by professional artist Thomas Kuebler, this Frankenstein skull with spine is cast in solid resin chosen for its resemblance to actual bone. It measures about 15 inches from the top of the skull to the wood base, and the skull is about 9 inches from the top of the skull to the mandible. No detail has been missed in this mysterious and very rare piece of horror history. It is a must have for Frankenstein fans and horror enthusiasts or the collector of oddities.
This guy sold at auction for $1275.00.
This guy is ridiculously precise with the acid – a true artist.
The first batch of Fest 18 (that’s the number, not the year) bands has been announced and it’s a doozey. Jawbreaker is headlining, which blows my mind, but the rest of the line-up looks pretty great as well (Mariachi El Bronx, Dag Nasty, Lee Bains III, etc. etc.). Almost makes living in Pigville worthwhile. Almost.
More at thefestfl.com