And Now For Something Completely Obscure

Electronic pop duo Silver Apples released their first album in ’68.  I believe that makes them the first ever electronic pop band, predating Can, Kraftwerk, et al.  If any of you bastards know of someone prior to these guys, please clue me in.  They sold very few albums, but one somehow ended up in my house in the mid 70’s.  Ignorant that they predated Kraftwerk, I pretty much dismissed them because I didn’t like the songs very much.  They typically set up good initial ideas but, in my opnion, are let down by the singing and trippy lyrics, which creep me out for some reason.   But the electronic sounds are innovative and excellent.  Those sounds come from “The Simeon,” a primitive, homemade synth built by singer Simeon Coxe, an Alabaman.  He was just stringing together old WWII oscillators and claims that at the time  he’d never heard of Moogs or other synthesizers in develpoment.

Silver Apples’ legacy is hard to pin down.  Some 90’s experimental bands have cited them as an influence, but what about the electronic innovators of the 70’s?  You never heard a word about these guys back then, so did they influence Krautrock, Eno, Devo, prog rockers, or just work in a vacuum?  Who knows, but I can’t help but love their oddball creativity.  Very much in the tradition of American cranks innovating alone in the basement or garage.  But overall they show that first usually isn’t best.

Here is their full story, which is very interesting.  If you want to hear more, below is the entire first album and one song, “You and I”, from their second and final album, which was withdrawn soon after release.  The opening of “You and I” is suspiciously like “Station To Station,” but  I have no idea if Bowie was familiar with it.  The whole second album, which I haven’t heard,  is also on YouTube.

Actual Clockwork Orange Filming Locations

Compared to most of Kubrick’s other films, A Clockwork Orange was down and dirty, shot on the cheap. Here are actual locations and a few other goodies. This YouTuber really does his research.

How do you make a futuristic sci-fi movie without building a bunch of crazy sets? In this episode, we take a look at the real futuristic locations and artwork that Stanley Kubrick used for the production design of 1971’s A Clockwork Orange as well as some of the new technology Kubrick used in shooting and recording sound on-location.

Beat Club Medley

I have no idea what this is, but you cosmopolitan musical snobs and German Fat Elvis can enlighten us.

PG&E, Kinks, Chuck Berry, Mick Taylor-era Stones, surprisingly not terrible Grateful Dead, and Doors without Morrison.

Whiskey Porn

A German or perhaps Scandinavian reviews my favorite Tennessee Whiskey.  I’m posting this because things get funny at around 4:25, when he starts sounding like a 70’s  porn actor getting “serviced.”

Lou & Elvis

Seems like this oughtta be up here. Great cover of ´Femme Fatale´, remedial instruction on ´Sweet Jane´, and more.

RIP, Dave Greenfield

I’ve been meaning to post this for a while, but just now getting around to it.  If you hadn’t heard, COVID-19 recently claimed Dave Greenfield, the keyboardist of The Stranglers, a decent first-wave band overshadowed by the great ones.  To me their work is more interesting than good,  but I give them credit for riding the wave at all.  They were at least different, and very competent musically.  Most importantly, when The Ramones and The Sex Pistols drew the line, these guys stepped on the correct side, unlike most.  I haven’t heard all of them, but my favorite is their overly-long cover of Burt Bacharach’s Walk On By .  Which I guess is another way of saying they needed more hooks.

Best Video Game End Credits Ever

GLaDOS, a supercomputer who becomes increasingly malevolent as the game progresses, sings to you at the end of Portal. Funny and catchy, courtesy of Jonathan Coulton.

The cake is a lie!