Ludwig van Someone

DNA analysis has progressed to the point where even old samples of hair can now be reliably used to obtain genetic and biological information. Over the years, at least eight different locks of hair were said to belong to Beethoven. Researchers collected and analyzed them recently, and published the results in Current Biology.

The most famous lock of his hair – the subject of a book, a documentary, and the one whose lead levels suggested lead poisoning – turned out to belong to a woman. But five of the other samples matched each other, two of which had excellent chain of custody indicating that they were likely from Beethoven.

As LBR’s Assistant (to the) Regional Genealogist, I was all over a fascinating article published yesterday, describing the sleuthing and results. Specifically:

  • Beethoven was not a Beethoven. Modern day families in Belgium and Austria trace their Beethoven lineage to an ancestor named Aert van Beethoven. This was Ludwig’s great-grandfather, seven generations back. Ludwig shared no DNA with those other members of the Beethoven family!
    Somewhere between Aert and Ludwig, a renegade baby daddy got involved. If this is like a lot of other family trees, someday we’ll find out the true genetic line, as more and more people get testing done.
  • The hair showed Hepatitis B DNA, which may have explained Beethoven’s cirrhosis, as Hepatitis B can lead to chronic hepatitis in a significant number of people.
  • No obvious cause or predisposition for his deafness or gastrointestinal maladies was uncovered. The DNA testing has its limitations, of course, but at least sheds some light on popular areas of speculation regarding Beethoven’s health.

Cello!

I watched Tár this week. The featured musical pieces include Mahler’s Symphony No. 5 and Elgar’s Cello Concerto in E Minor (above). The subtleties are lost on my underdeveloped musical perceiving apparatus, but I rather enjoyed the passages from Elgar.

Also, and independently, I learned that the lyric from “A Quick One While He’s Away” is not

cello cello cello cello cello cello cello

but

jerrald jerrald jerrald jerrald jerrald jerrald jerrald

The Other Other German Composer

John Groves, born in Hamburg to English parents.

I came to appreciate his genius when a vintage Mentos commercial recently appeared on one of my devices.

At the time it came out (1992) I had the same reaction as everyone, i.e.
WHAT FRESH HELL IS THIS. But this being in the before times, prior to Makerbot inventing the internets, I had to simply wonder how the abomination arose, and wallow in ignorance.

But now…
Enter Bastard Research Division.

The candies, in various formats, have been around since the 1930’s, and are owned by the Perfetti Van Melle, an Italian-Dutch corporation. Van Melle hired the ad agency Pahnke & Partners out of Hamburg, to come up with the ad spots. Groves composed the theme, which is available in extended format!!

The bulk of commercials were shot in South Africa, and aimed squarely at the US and Canada.

Viewers who spotted the ads when they premiered in July 1992 were driven to distraction by one intangible: The ads seemed disconnected from actual human behavior, and the song itself was critiqued for appearing to be an English translation that didn’t get the lyrics quite right.  

When Van Melle was asked “what the actual fuck?” they responded coyly, realizing they had a phenomenon on their hands. The less they answered, the more interest there was. Sales went from $20M in 1991 to $140M in 1996, worldwide. In the late 90’s, Altoids caught fire and were blamed for a decrease in Mentos market share.

The singer is allegedly Richard Ryan Graves (aka Frank Ryan), who takes zero credit for it on wikipedia or elsewhere. He was in Hamburg at the time, so he remains a likely suspect.