Live Totem Pole EP

So I was listening to the latest episode of the My Favorite Album podcast yesterday. David Cross was the guest, and instead of choosing his actual favorite album (Quadrophenia), he chose something obscure that he listened to a lot, lamenting that it had been out of print for years and wasn’t even available to stream.

Nothing piques my lizard brain’s interest like scarcity, so when podcast host Jeremy Dylan mentioned that someone had been nice enough to upload it to YouTube, I dove into that dumpster with glee. And found it.

Live Totem Pole is an odd EP. It’s live, for one thing. But the really odd part is that five of the seven songs are covers, including those by Blue Öyster Cult, Public Enemy, Butthole Surfers, Superchunk, and Wire. BUT HOLY SHIT, IT WORKS. And the way it was recorded makes you feel like you’re in the room.

I downloaded the audio from the YouTube videos and packed it up like an album. Right click the cover up top if you’re so inclined …

I listened to fIREHOSE in college, especially fROMOHIO and Flyin’ the Flannel. Anybody unfamiliar with these guys should check out their fascinating origin story on Wiki-wiki-wikipedia.

This Game Is Crazy Good

The Last of Us Part 2. Just finished it a couple of days ago, and man, it was worth the wait.

The song at the end is Pearl Jam’s “Future Days.” I’m guessing Eddie Vedder is a Bloater by this point in the game’s timeline …

What’s Your Name?!

Another YouTube classic I was reminded of last night.

Best comment: “France and England for 500 years.”

Paul Collins Was In The Nerves

It’s true.

The Nerves lasted a short time and self-released one self-titled four-song EP in 1976, featuring the songs “Hanging on the Telephone” (Lee), “When You Find Out” (Case), “Give Me Some Time” (Lee), and “Working Too Hard” (Collins). In addition to being the drummer, Paul Collins was also the trio’s manager and did most of the bookings and promotion. The Nerves’ EP was distributed by independent Bomp! Records and officially re-released on CD and vinyl by Alive Records in 2008, followed by a second release of The Breakaways, an album of post-Nerves recordings made by Collins and Case prior to the formation of Collins’ group The Beat.

Despite their limited lifespan and discography, The Nerves remain notable for many reasons. They were the founding vanguard of the Los Angeles punk and pop scenes that eventually produced The Knack, The Beat and The Plimsouls. After The Nerves’ break-up, Case and Collins formed The Breakaways with Pat Stengl, a group that would have an even shorter lifespan than The Nerves. Thereafter, however, Case and Collins went on to front more notable groups, The Plimsouls (who had a Billboard Top 100 hit with “A Million Miles Away”) and The Beat, respectively. But perhaps the most notable legacy of the group is the song “Hanging on the Telephone”: Blondie later covered the song on their album Parallel Lines and turned it into a UK top 5 hit, and thanks to Blondie’s success, the song has become something of a standard, later re-done by groups as diverse as L7, Def Leppard, Cat Power (whose version was featured in Cingular commercials in 2006), and Hep Alien, Lane Kim’s fictional band on dramedy The Gilmore Girls. While it is likely some of these artists are unaware of the original Nerves version, others were also from Los Angeles and what was, at the time, its small underground music scene and would be able to reference the original. Blondie included a second Lee composition on Parallel Lines, “Will Anything Happen?” Lee also went on to write a hit for Paul Young, “Come Back and Stay”.

“Hanging on the Telephone” and “When You Find Out” were later released on a 1993 Rhino Records power-pop compilation, DIY: Come Out and Play – American Power Pop I (1975-1978), which Allmusic gave a five star review. The Nerves also appeared on the album’s cover. More recently, Rhino included an unreleased Nerves track, Case’s “One-Way Ticket”, on the 2005 compilation Children of Nuggets: Original Artyfacts from the Second Psychedelic Era, 1976–1995,[3] a sequel to their Nuggets: Original Artyfacts from the First Psychedelic Era, 1965-1968 compilations.

In 2008, Alive Records released One Way Ticket, a CD compilation of the remastered tracks of the Nerves’ original EP, along with demos and other previously unreleased material. Following the success of The Nerves’ CD reissue, Alive Records released The Breakaways, an album of post-Nerves recordings featuring Collins and Case prior to the formation of The Beat.

In 2011, the American rock band Green Day launched the American Idiot Broadway Musical Production. On any night that an original cast member left the show, they included a live rendition of the song “Walking Out On Love,” which was written by Paul Collins. The song was previously recorded by The Nerves, The Breakaways and The Beat. At the end of the musical’s run, The Paul Collins Beat joined Green Day on-stage for live performances in New York.

Shipping In Late July

In a just world, this guy should have been huge. I’ll be pre-ordering this shortly, the package which includes a 45 of the demo versions of “There She Goes” and “Walking Out On Love.”

After two long years of painstaking research and development, we present to you, the first major memoir covering the birth of DIY Power Pop, from Paul Collins. From it’s initial conception as a film script to it’s re-birth as a full-bore rock & roll revelation, this is one crazy story from beginning to end. Outlining the first National DIY cross-country tour by an unsigned band in 1977, and by default, creating the pathway for the true indie underground network of the 80s to take as a template. It wasn’t even a second thought for Collins and bandmates Peter Case and Jack Lee, but the underground rock & roll world is a better place for it. But until now, the real details of the origins of The Nerves, Breakaways, and The BEAT have eluded most of us, so with this tome of incredible survival stories from the trenches, Paul Collins opens up and reveals all the drama, victories and defeats with such an impassioned voice, you won’t be able to put it down. The coverage of the pre-Punk 1975 landscape of both LA and San Francisco is unmatched, and your mind will be BLOWN.

Featuring TONS of previously unseen photos, flyers and ephemera from the earliest days of The Nerves lineup as a FOUR PIECE, to the legal documents challenging The Paul Collins BEAT vs The English Beat, to the ill-fated Nerves reunion, and so much in between. Truly a smorgasbord of juicy details and revelatory discoveries await, balancing the failures with triumphs from the mid 1970s to the mid 2000s, when Paul returned to the touring circuit. From literally renting out a space for the first documented Punk show in Los Angeles in March of 1977, to The Screamers story about buying a copy of The Nerves EP at the Capitol Records swap meet and smashing it to pieces- it’s all in there, along with so many more soon-to-be-legendary tales from the real trenches you don’t usually rise out from unscathed….

And here he is more recently. Fuck yeah!