A lot going on here that I missed when I first listened.
My compliments to everyone involved.
I’m A Sucker For These Beatles Stems
This rhythm section kicked major ass, and Mr. McCartney was obviously paying close attention to James Jamerson by Rubber Soul.
Best YouTube comment:
The craziest part about Paul’s basslines is that, at least on Rubber Soul and before, he was playing and singing this LIVE with no monitors.
Not Even A Real Musician
Ouch.
Glory On His Face
Church drummers just can’t get a break.
I Gotta Have More Kick Drum
Explore The Space
My apologies if this has been posted here before. In my senility, I can’t remember if I once saw this here or someone sent it to me. Either way, it’s always good for a laugh.
Freese Is A Monster
Foo Fighters have a new operator in the engine room, and he’s killing it. Damn, those fills are CLEAN.
I’m Working Too Hard
Both proof that one needn’t be especially proficient as a musician to write killer songs AND an explanation for my recent blargh absence.
The Nerves weren’t around too long but are regarded by some as ground zero for the LA punk and power pop scene. Drummer Paul Collins went on to form The Beat (“Rock N Roll Girl,” “I Don’t Fit In”), bassist Peter Case formed The Plimsouls (“A Million Miles Away”), and guitarist Jack Lee’s song “Hanging on the Telephone” became a massive hit for Blondie when they covered it on Parallel Lines in 1978.
And here’s Collins a few years later with The Beat …
Incroyable!
Remember Yoyoka? She’s even better now! Watch as she effortlessly replicates Bonham’s Purdie Shuffle.
Polymeter?
The Strange Brew podcast on Lennon’s musical influences circa Double Fantasy sent me down some rabbit holes: Touch and Go, and time signatures. This was never one of my Cars favorites, but I’m totally fascinated by it now.
The song’s verses feature the use of polymeter. The bass and drums are playing in a time signature of 54, while the vocals, keyboards, and guitar are playing in 44.
Bastards! While my rather limited rhythm lobe tried to tap out the beats, my remaining auditory cortex projected the contemporaneous Spirits in the Material World, which only confused me more. Apparently that tune is 44 but so ska and misleading that you’ll fool yourself trying to count it out.
Available musicians please fix my brain and/or comment.