Memphis in the early 1970s. As one of the comments pointed out, that’s the Hernando de Soto Bridge being built at the 10:30 mark.
This was my most played track on Spotify this year. Shocking, I know.
An ok documentary about the kind of manager all bands need but few get. Wears thin in places, but few documentaries don’t.
For the completist.
Beneath the mayhem and incompetence, this is a good song with a great hook in the chorus. And the lyrics are as true as any. According to Wikipedia, Terry Adams of NRBQ likened their melodies to Ornette Coleman. I hear what he’s getting at. The long melodic lines appear to meander, but then they resolve into a nutty coherence. But I dunno that they remind me that much of Ornette Coleman. Since none of you can throw a beer at me for being a pretentious ass (today, at least), I’ll go ahead and submit that their melodic lines remind me of Hector Berlioz.
Love ’em or hate ’em, the Shaggs are a genuine enigma, and those are always interesting.
If you happen to run across an original pressing (you won’t), snap it up. They’e very rare and worth thousands.
I’ve only seen the first of these, as recommended to us by Fat Elvis once upon a time. It’s great. A friend recently hipped me to Echo in the Canyon, and I noticed that there’s ANOTHER one out too.
I’m nostalgic for California, now that it’s burning up and falling into the ocean. I loved my time there. I may watch all of these. Maybe someone will tell us that Laurel Canyon gave birth to punk.
I hate the songs of Jimmy Webb. He won a jillion Grammy’s, and he’s regularly named as a great songwriter by people who really should know better (Bruce Springteen and some others). At his best, his songs are merely annoying, melodically vapid, and oozing with gooey sentimentality (his songs for Glen Campbell: Galveston, Wichita Lineman, By the Time I Get To Phoenix). At his worst, they are also pretentious (McArthur Park) and stupid beyond all description (Up, Up and Away, McArthur Park again). I once played Richard Harris’s original hit version of McArthur Park to my older son, who was certain I was playing him a comedy record. If you’re so inclined, above you can watch him perform what could be the worst song ever written with such bone-headed earnestness that you may find yourself wanting Anton Chigurh to walk up and do his captive bolt stunner thing on him. I didn’t even make it to the infamous “cake out in the rain” part (surely the dumbest metaphor ever devised). In a way it’s funny, but mostly not. My question to you bastards: am I incorrect? If any of you are Jimmy Webb fans, can you clue me in as to what’s good about him? Did he write some hidden gems I’ve never heard? Because based on his biggest hits, I don’t get his reputation as one of the greats at all.
So this is it, the only material The Nerves officially released. One lousy EP in 1976, which, in mint condition, can now fetch upwards of $600 on eBay.
Chilton was an underrated guitarist. Feeling nostalgic for the late Nineties today …
From 1999 performance at Memphis’ Cooper-Young Festival. With Ron Easley – bass & background vocals, and Richard Dworkin – drums. Video by David Julian Leonard.
I have to believe this was inspired by actual events. From Wiki-wiki-wikipedia …
The Absent-Minded Waiter is a 1977 American comedy short film starring Steve Martin, Buck Henry and Teri Garr. It was written by Martin and directed by Carl Gottlieb. The film was produced by William E. McEuen, who would go on to produce Steve Martin’s next six films.
The short was screened as part of “The Best of the Shorts” program at Filmex on March 26, 1977 and was also shown at Martin’s stand-up shows before he went on. It was nominated for the Academy Award for Best Live Action Short Film.
It’s a classic. By the way, Steve Martin is 75 now.