Sister Rosetta rocks a mean axe and sings like she means business.
Enjoy the guitar compilation:
I can’t confirm whether or not she ever opened for Renfield. She played a Les Paul custom with three PAF humbucking pickups, three-way selector switch, two volume and two tone controls; and gold-plated side-action vibrato system.
She helped to pioneer distortion, and her 1964 Manchester show with Muddy Waters was cited as an influence by Clapton, Jeff Beck, and Keith Richards.
The Obi-Wan trailer reminds me of how great Duel of the Fates is.
It sets the perfect tone for the cinematic climax of Phantom Menace. Nothing to that point in Star Wars was choral, which set it apart even more.
I had no idea what they were saying, or if it was a made-up language. It just sounded cool.
“The great sword fight at the end of the film – the decision to make that choral was just the result of my thinking that it should have a ritualistic or quasi-religious feeling, and the introduction of a chorus might be just the thing. … [T]he medium of chorus and orchestra would give us a sense that we’re in a big temple.”
The words originated in the medieval Welsh poem Cad Goddeu (The Battle of the Trees). The text was translated into English by Robert Graves, and published in 1948 as part of The White Goddess: A Historical Grammar of Poetic Myth.
John Williams selected lines 32-35:
under the tongue root
a fight most dread,
and another raging
behind in the head
Williams had it translated into a variety of languages, eventually selecting Sanskrit “because of the quality of the vowels.”
Any of you bastards watching this? I’m through most of S1, and much of it is hilarious. Bogs down a little in a couple of middle episodes involving flashbacks and a ho-hum subplot, but it picks up again and looks like it’s heading for a strong finish. I’m hearing S2 is good.