
Sorry.

Tales of True Adventure for Rugged Men Not Unlike Yourself

Sorry.
Google has clearly marked me as a lush, as this popped up in my YouTube feed this a.m. I posted this guy’s video on overrated bourbons a while ago, so here’s the flipside. I haven’t tried everything he recommends, but he’s spot on for the one’s I’ve had.
Good Lord, these guys were tight.
Barreracudas… ? Ok
This song punches every one of my rocky dopamine receptors right in the pants. In a good way.

Self-indulgent mess? Misunderstood masterpiece? I usually have an opinion on matters musical, but it’s now been forty years and I’m still not sure what to make of this album. Which may be the point. Or not.
You’ve all seen the Who’s legendary version of “My Generation” at the Monterey Pop Festival; it was in both the official MPF movie release and The Kids are Alright. Here’s a video of MPF outtakes with more songs from that set beginning at 1:12:52: “Substitute,” “Summertime Blues,” and “A Quick One.” AQO doesn’t quite have the knockout power of the Rock and Roll Circus version, but it’s still far better than most of what transpired at that festival. Scrolling through this and watching a little of each band reinforced what I already knew: San Francisco bands of that era could not play. Their amateurism is pretty staggering. The LA acts acquit themselves much better. But it took the Who, a Seattle guitarist backed by Brits, and Otis Redding backed by Memphis boys to really show how things are done.
The intro by vocal harmony popsters The Association is surpsringly bizarre.
If you’re truly bored, sample the LA bands, The Associaion, Byrds, Buffalo Springfield, and Mamas & Papas Then sample the SF ones, Country Joe, Jefferson Airplane, and especially Big Brother and the Holding Company (Quicksilver Messenger Service actually sound OK). The LA bands were products of an established and highly competetive musical culture that thrived around a hit-making city. The SF bands were products of a new scene that revolved around getting fucked up and jamming. The difference shows. And even if you like Janis Joplin as a singer (I don’t), you can’t deny that Big Brother was an execrable band. Their incompetence is just jaw-dropping. I think she ditched them pretty quickly as her star rose. Good move.
Fun fact of the day: Country Joe was one of several bands unfortunate enough to get blown off the stage by an unkown opening band called Led Zeppelin on LZ’s first US tour. By the end of that tour CJ and various other headliners such as Iron Butterfly and Vanilla Fudge weren’t even bothering to show up.
Very entertaining Heroes era Bowie TV appearance.
Do you need another? Of course you do. According to the comments, this is the final installment of a multi-episode BBC documentary made in the 90’s. Earlier episodes dealt with the Stooges, Velvets, et al. Anyone seen the others or know if they’re available somewhere? Makerbot?
Last ten minutes have good footage of Sex Pistols US tour.
The reggae segment seems a bit long considering the number of punk bands omitted. And some of the omissions are glaring. Talking Heads, but no Johnny Thunders? That’s just weird, as L.A.M.F. is one of the very best records to come out of the NYC scene, and more punk than TH. But this is still worth watching.
If you’re about to stock up the ol’ cabinet for the holidays, don’t forget that more expensive often doesn’t equal better. Some of the $25-$60 range is so good that you never need to spend more. If you aren’t interested in most of the video, the most entertaining part is about Blanton’s at 18:15.

How was this already nine years ago?