In my humble-yet-accurate opinion, Red Dead Redemption 2 is a glitchy fiasco, and its gameplay can generously be described as clunky. I bought into the hype upon its release (How bad can it be with a 97 on Metacritic?) and was almost immediately disappointed. It’s beautiful and open-ended, yes, but I found it boring. And the AI sucks. Anyway, enjoy these deaths or don’t. You prolly won’t, you sumbitch.
The Lincoln Project
These guys are crushing it right now.
Happy Happy Joy Joy
Coming August 14, a documentary about the creation and influence of Ren & Stimpy! SPOILER ALERT: Here’s another one of those instances where you must appreciate the art but hate the artist. From Gizmodo …
Directors Ron Cicero and Kimo Easterwood promise an honest and direct look at what Kricfalusi brought to the world of animation as well as what he took away from it, with reports of failing to deliver episodes on time and fostering a hostile work environment. According to the documentary description, it will also address the allegations of sexual misconduct. They were first brought to light in 2018 by Buzzfeed, and included an admission that Kricfalusi had engaged in a relationship with a 16-year-old girl. It’s clear from the trailer that the folks who worked on Ren & Stimpy have great respect for the show and how it’s influenced the world of animation, but that it’s hard to rectify that with the knowledge that the person who created it was responsible for so much pain and suffering.
Free Again
I vaguely remember this coming out, and thinking I should listen to it. Seven years later I’ve finally gotten around to it, and it’s great. Recorded at Ardent after Box Tops and before Big Star, it’s loose and fun, but not as sardonic or weird as his later solo stuff. I’ve been streaming it, but am hunting it down on Discogs.
Crossing fingers for Renfield stories in the comments.
The First Family
Vaughn Meader as JFK, the full album from 1962. Still pretty funny.
We’re All Going To Die
Thanks to these conspiracy theory morons.
Live Totem Pole EP
So I was listening to the latest episode of the My Favorite Album podcast yesterday. David Cross was the guest, and instead of choosing his actual favorite album (Quadrophenia), he chose something obscure that he listened to a lot, lamenting that it had been out of print for years and wasn’t even available to stream.
Nothing piques my lizard brain’s interest like scarcity, so when podcast host Jeremy Dylan mentioned that someone had been nice enough to upload it to YouTube, I dove into that dumpster with glee. And found it.
Live Totem Pole is an odd EP. It’s live, for one thing. But the really odd part is that five of the seven songs are covers, including those by Blue Öyster Cult, Public Enemy, Butthole Surfers, Superchunk, and Wire. BUT HOLY SHIT, IT WORKS. And the way it was recorded makes you feel like you’re in the room.
I downloaded the audio from the YouTube videos and packed it up like an album. Right click the cover up top if you’re so inclined …
I listened to fIREHOSE in college, especially fROMOHIO and Flyin’ the Flannel. Anybody unfamiliar with these guys should check out their fascinating origin story on Wiki-wiki-wikipedia.
Shipping In Late July
In a just world, this guy should have been huge. I’ll be pre-ordering this shortly, the package which includes a 45 of the demo versions of “There She Goes” and “Walking Out On Love.”
After two long years of painstaking research and development, we present to you, the first major memoir covering the birth of DIY Power Pop, from Paul Collins. From it’s initial conception as a film script to it’s re-birth as a full-bore rock & roll revelation, this is one crazy story from beginning to end. Outlining the first National DIY cross-country tour by an unsigned band in 1977, and by default, creating the pathway for the true indie underground network of the 80s to take as a template. It wasn’t even a second thought for Collins and bandmates Peter Case and Jack Lee, but the underground rock & roll world is a better place for it. But until now, the real details of the origins of The Nerves, Breakaways, and The BEAT have eluded most of us, so with this tome of incredible survival stories from the trenches, Paul Collins opens up and reveals all the drama, victories and defeats with such an impassioned voice, you won’t be able to put it down. The coverage of the pre-Punk 1975 landscape of both LA and San Francisco is unmatched, and your mind will be BLOWN.
Featuring TONS of previously unseen photos, flyers and ephemera from the earliest days of The Nerves lineup as a FOUR PIECE, to the legal documents challenging The Paul Collins BEAT vs The English Beat, to the ill-fated Nerves reunion, and so much in between. Truly a smorgasbord of juicy details and revelatory discoveries await, balancing the failures with triumphs from the mid 1970s to the mid 2000s, when Paul returned to the touring circuit. From literally renting out a space for the first documented Punk show in Los Angeles in March of 1977, to The Screamers story about buying a copy of The Nerves EP at the Capitol Records swap meet and smashing it to pieces- it’s all in there, along with so many more soon-to-be-legendary tales from the real trenches you don’t usually rise out from unscathed….
And here he is more recently. Fuck yeah!