I think he wrote a song for a certain Bastard’s birthday.
So this is it, the only material The Nerves officially released. One lousy EP in 1976, which, in mint condition, can now fetch upwards of $600 on eBay.
In a just world, this guy should have been huge. I’ll be pre-ordering this shortly, the package which includes a 45 of the demo versions of “There She Goes” and “Walking Out On Love.”
After two long years of painstaking research and development, we present to you, the first major memoir covering the birth of DIY Power Pop, from Paul Collins. From it’s initial conception as a film script to it’s re-birth as a full-bore rock & roll revelation, this is one crazy story from beginning to end. Outlining the first National DIY cross-country tour by an unsigned band in 1977, and by default, creating the pathway for the true indie underground network of the 80s to take as a template. It wasn’t even a second thought for Collins and bandmates Peter Case and Jack Lee, but the underground rock & roll world is a better place for it. But until now, the real details of the origins of The Nerves, Breakaways, and The BEAT have eluded most of us, so with this tome of incredible survival stories from the trenches, Paul Collins opens up and reveals all the drama, victories and defeats with such an impassioned voice, you won’t be able to put it down. The coverage of the pre-Punk 1975 landscape of both LA and San Francisco is unmatched, and your mind will be BLOWN.
Featuring TONS of previously unseen photos, flyers and ephemera from the earliest days of The Nerves lineup as a FOUR PIECE, to the legal documents challenging The Paul Collins BEAT vs The English Beat, to the ill-fated Nerves reunion, and so much in between. Truly a smorgasbord of juicy details and revelatory discoveries await, balancing the failures with triumphs from the mid 1970s to the mid 2000s, when Paul returned to the touring circuit. From literally renting out a space for the first documented Punk show in Los Angeles in March of 1977, to The Screamers story about buying a copy of The Nerves EP at the Capitol Records swap meet and smashing it to pieces- it’s all in there, along with so many more soon-to-be-legendary tales from the real trenches you don’t usually rise out from unscathed….
And here he is more recently. Fuck yeah!
I know a certain bastard who may have watched this show.
Certainly my favorite “best of” the year list:
• “PATIENT STATES HE STATES SLIPPED IN THE SHOWER AND LANDED ON A METAL AIR FRESHENER CAN AND IT WENT INTO RECTUM”
• PLASTIC TOY, “ABOUT 6 INCHES LONG”
• MATTRESS FOAM
• TURKEY BASTER
• COAT HANGER, “PATIENT UNSURE HOW IT GOT THERE”
• CIGARETTE LIGHTER
• BAG OF HEROIN
• LIGHT BULB
• CHRISTMAS ORNAMENT
• “WAS USING PROSTATE MASSAGER & IT GOT ‘SUCKED IN’”’
I particularly like the light bulb, like that’s where all the good ideas are.
More here. Ear, nose, throat, penis, and vagina included for completeness.
Musician humor at its finest.
‘Member cassettes? ‘Member when Westerberg was touring and had a great band and Makerbot hadn’t slipped into dementia? Me either, but here’s a cassette only boot proving the first two parts were real.
In the Musicarioum
I first heard about these guys when Tommy Stinson was on Marc Maron’s WTF podcast a few years ago.
He RAVED, and rightly so. Not sure what they’ve been up to lately.
As Thomas tells The Peverett Phile blargh …
The riff wasn’t totally spontaneous, it was sort of contrived [from riffs] I’d been listening to at the time. It’s kind of weird. If you listen to “The Price of Love” by the Everly Brothers, you’ll get the rhythmic pattern.
And if you listen to “You Gotta Lose” by Richard Hell & The Voidoids, you put those notes to the riff you get “Pump It Up.” It’s a hybrid riff.
Then I was left with a half a bar so I added “You Really Got Me,” which was one of the best songs ever written. So, that was it.
I love this shit. Everybody rips off somebody – some are just more creative about it than others.