These Guys Are Doing Gonerfest Saturday

Guys who can play – pretending they can’t – while dressed as monsters is fucking genius.

The Mummies are an American garage punk band formed in San Bruno, California, in 1988. Exhibiting a defiantly raw and lo-fi sound, dubbed “budget rock”, the Mummies’ rebellious attitude and distinctive performance costumes exerted a major influence on garage punk and garage rock revival acts later in the decade, as well as in the 1990s. Their recorded output was intentionally completed with poor, cheap equipment, including their first and only studio album Never Been Caught, which was released after the group’s initial break-up. Since then, the Mummies have engaged in several positively-received reunion concerts and tours, including appearances in Europe and the US sporadically through to recent years. The band is currently working on a movie.

The Wilhelm Scream

It’s positively ubiquitous! According to Gizmodo

The sound effect that’s been heard in countless movies and TV shows over the decades technically has two birthdays. As a sound itself, it originally debuted in the 1951 film Distant Drums from singer-songwriter Sheb Wooley. But it was officially given its name with the minor character of Private Wilhelm in The Charge at Feather River, a western that came out July 11, 1953. In that movie, Wilhelm (played by actor Ralph Brooks) screams after being shot in the thigh with an arrow, which would come to define its use: in all of its appearances in future media, it would be used when someone got shot, blasted back by an explosion, or fell from a high distance.

Recently, CBS News did a story on the Wilhelm Scream, and the outlet revealed that it managed to find a tape with the first recording session Wooley did for the scream. CalArts researcher Craig Smith explained to CBS that he found the tape among many from the archives of the University of Southern California’s film school that were close to being trashed.

What, Me Worry?

Gone but not forgotten!

This video is only concerned with the artists who contributed to Mad in it’s first two decades – even if some of them carried on for longer. I’ve got nothing against those who came later but I’m selfishly only dealing with the ones who inspired and influenced me as I grew up. They taught me more than 4 years of college ever did. Apparently in the early Kurtzman comic years Mad was printed in colour, although all the examples I found were black and white only, and according to a particularly grumpy viewer Dave Berg didn’t die until 2002. Mea culpa.

Pear Cider and Cigarettes

2017 Oscar-nominated animated short by Robert Valley. You may have seen his stuff here and there already; I became aware of him on Netflix’s Love Death + Robots. The real mind-blower is that he does all of this in Photoshop, which must take FOREVER.