Pop-Punk Candy

Mrs. Renfield put me on to this sugar rush of an album (really more like a longish EP).  Many tracks are one-idea songs, but who cares when the hook’s good and they don’t belabor the idea: all but one are under two minutes.  It so happens this band/person/whatever played Gonerfest last week, although it was an afternoon slot on a 90-degree-plus day, so can’t say I’m sorry I missed them.  But this stuff hits my sweet spot.  Good hooks throughout.  Here’s another:

Palessi

A co-worker had a $250 bottle of wine recently and called it
“life changing.”

It’s fascinating how we assess value. I had one pair of Timberlands that I wore daily for ten years, so they wore clearly worth more than the $92 I paid for them. And my gazillion-ruble Tempur-Pedic bed is worth it.

I’d like to think I wouldn’t fall for the shoes bit. But damn.

I Am Everything

Hell yeah, I’m in! Anything more cringe than Pat motherfucking Boone singing “Tutti Frutti?”

Produced by Bungalow Media + Entertainment for CNN Films and HBO Max, in association with Rolling Stone Films, director Lisa Cortés’ Sundance opening night documentary LITTLE RICHARD: I AM EVERYTHING tells the story of the Black queer origins of rock n’ roll, exploding the whitewashed canon of American pop music to reveal the innovator – the originator – Richard Penniman. Through a wealth of archive and performance that brings us into Richard’s complicated inner world, the film unspools the icon’s life story with all its switchbacks and contradictions. In interviews with family, musicians, and cutting-edge Black and queer scholars, the film reveals how Richard created an art form for ultimate self-expression, yet what he gave to the world he was never able to give to himself. Throughout his life, Richard careened like a shiny cracked pinball between God, sex and rock n’ roll. The world tried to put him in a box, but Richard was an omni being who contained multitudes – he was unabashedly everything. Directed by Lisa Cortés, LITTLE RICHARD: I AM EVERYTHING is produced by Robert Friedman, Cortés, Liz Yale Marsh and Caryn Capotosto and Executive Produced by Dee Rees.

Oh No Crypto Bro

I’ve followed this story with some delight. Apparently Michael Lewis, who wrote The Big Short, has been trailing FTX guy Sam Bankman-Fried around, so we’ll certainly get a kick-ass film out of it someday. Among many, many remarkable facets to the tale is that the crypto market has supposedly lost $2 trillion of valuation this year… and Wall Street has barely flinched.
When Sequoia Capital – allegedly the most intelligent venture capital firm – invested $210 million in FTX last year, it asked to see financial reports and instead was told “we’ll send you a few bullet points.” It’s traditional when investing that much into a firm to have someone on the board, but Bankman-Fried wouldn’t let anyone on the board of directors, which was him, an attorney, and an FTX employee.
For a company “worth” $32 billion at one point.

Zero oversight! What could go wrong?

I’ve followed developing news with Patrick Redford of Defector, who is typically hilarious. But there are several excellent reporters and twitter feeds. Ed Zitron on Twitter is great.

Here, a professor of finance at King’s College splains it to us. He keeps showing photos of Phil Spector for Sam Bankman-Fried, so gotta respect his game:

It’s an exciting time to be in the crypto world.