Eek! A Greek!

Of course I had to go see this despite reservations about Matt Damon.  How could he possibly convince as the wily Odysseus?  Well, the script helped him out by ignoring “wily” and turning Odysseus into a pensive, guilt-ridden bore, a complete anachronism.  Mr. Damon had no problem with that.

But there’s plenty to like.  Most of Homer’s Odyssey is a flashback, and Christoper Nolan handles matters temporal very well.  The Polyphemus episode, as well as those of Circe and Scylla/Charybdis were excellent. As were the Shades emerging from Hades.  Cool shipwrecks too.

The Laestrygons episode might have been better had Monty Python and the Holy Grail never existed.  For some reason the giants were dressed in medieval armor, which made me expect them to demand a shrubbery or say “none shall pass.”  As they were chasing the Greeks off the island, I was half-expecting the Greeks to start shouting “Run away, run away!”

In a similar vein, Agamemnon resembled Darth Vader, which seemed comical to me.  I was reminded of Rick Moranis in Spaceballs.

Some of the inevitable changes to Homer worked well, others not.  The movie cut the island of the Lotus Eaters, instead having Calypso give Odysseus lotus flowers to keep him forgetful and happy.  Excellent idea.  But for some reason Helen and Clytemnestra are now twins.  Why?  I get changes that make a leaner movie, but that seems random.  And where the hell was Laertes?

Borrowing Sinon from the Aeneid was an excellent idea, but poorly executed.  Excellent as a plot connection that I won’t get into here.  But completely wrong as a character.  Sinon was the point man for the Trojan Horse trick, a glib con-man.  But in this movie he’s an awkward innocent who utters a few words after getting mortally wounded.  

The Trojan Horse episode was well-depicted despite Sinon’s botched character and Agamemnon as Darth Vader.  But due to Sinon’s reduced role and the absence of horse-doubters (Laocoon and Cassandra), the Trojans’ decision to accept the horse would seem like idiocy to those unfamiliar with the story.  As a majority of Americans can no longer tell you who won WWII, that likely would be most people.  Granted, Laocoon makes no appearance in Homer’s version, but if you’re borrowing Sinon to add coherence, why stop there?

My biggest problem with this movie involves a spoiler, so I’m mum on that.

Overall I enjoyed it and would recommend seeing it on the big screen.  Shipwrecks.  Mythical Monsters. Minimal CGI.  Yes, please.

The Wilhelm Scream

It’s positively ubiquitous! According to Gizmodo

The sound effect that’s been heard in countless movies and TV shows over the decades technically has two birthdays. As a sound itself, it originally debuted in the 1951 film Distant Drums from singer-songwriter Sheb Wooley. But it was officially given its name with the minor character of Private Wilhelm in The Charge at Feather River, a western that came out July 11, 1953. In that movie, Wilhelm (played by actor Ralph Brooks) screams after being shot in the thigh with an arrow, which would come to define its use: in all of its appearances in future media, it would be used when someone got shot, blasted back by an explosion, or fell from a high distance.

Recently, CBS News did a story on the Wilhelm Scream, and the outlet revealed that it managed to find a tape with the first recording session Wooley did for the scream. CalArts researcher Craig Smith explained to CBS that he found the tape among many from the archives of the University of Southern California’s film school that were close to being trashed.

Polymeter?

The Strange Brew podcast on Lennon’s musical influences circa Double Fantasy sent me down some rabbit holes: Touch and Go, and time signatures. This was never one of my Cars favorites, but I’m totally fascinated by it now.

The song’s verses feature the use of polymeter. The bass and drums are playing in a time signature of 54, while the vocals, keyboards, and guitar are playing in 44.

Bastards! While my rather limited rhythm lobe tried to tap out the beats, my remaining auditory cortex projected the contemporaneous Spirits in the Material World, which only confused me more.  Apparently that tune is 4but so ska and misleading that you’ll fool yourself trying to count it out.

Available musicians please fix my brain and/or comment.