Rock The Casbah Isolated Tracks

A few years ago, I was surprised to learn the true origins of “Rock the Casbah,” the only Clash single to make the top 10 in the Billboard Hot 100.

“Rock the Casbah” was musically written by the band’s drummer Topper Headon, based on a piano part that he had been toying with. Finding himself in the studio without his three bandmates, Headon progressively taped the drum, piano and bass parts, recording the bulk of the song’s musical instrumentation himself.

This origin makes “Rock the Casbah” different from the majority of Clash songs, which tended to originate with music written by the Strummer–Jones songwriting partnership. Upon entering the studio to hear Headon’s recording, the other Clash members were impressed with his creation, stating that they felt the musical track was essentially complete. From this point, relatively minor overdubs were added, such as guitars and percussion.

However, Joe Strummer was not impressed by the page of suggested lyrics that Headon gave him. According to Clash guitar technician Digby Cleaver, they were “a soppy set of lyrics about how much he missed his girlfriend”. “Strummer just took one look at these words and said, ‘How incredibly interesting!’, screwed the piece of paper into a ball and chucked it backwards over his head.”

Strummer had been developing a set of lyrical ideas that he was looking to match with an appropriate tune. Before hearing Headon’s music, Strummer had already come up with the phrases “rock the casbah” and “you’ll have to let that raga drop” as lyrical ideas that he was considering for future songs. After hearing Headon’s music, Strummer went into the studio’s toilets and wrote lyrics to match the song’s melody.

The version of the song on Combat Rock, as well as many other Clash compilations, features an electronic sound effect beginning at the 1:52 minute point of the song. This noise is a monophonic version of the song “Dixie”. The sound effect source was generated by the alarm from a digital wristwatch that Mick Jones owned, and was intentionally added to the recording by Jones.

Sadly, Headon was kicked out of the band for heroin addiction just four days before Combat Rock was released. Also, one of my friends had that same “Dixie” digital watch when we were in the sixth grade. He annoyed the shit out of us with it.

Anyway, on to those isolated tracks …

Drums

Keys

Bass

The Favourite

Mrs. Makerbot and I saw this at The Blue-Hair Cinema Grill last night. I laughed, I cried! It was better than CATS!

Early 18th century. England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne (Olivia Colman) occupies the throne and her close friend Lady Sarah (Rachel Weisz) governs the country in her stead while tending to Anne’s ill health and mercurial temper. When a new servant Abigail (Emma Stone) arrives, her charm endears her to Sarah. Sarah takes Abigail under her wing and Abigail sees a chance at a return to her aristocratic roots. As the politics of war become quite time consuming for Sarah, Abigail steps into the breach to fill in as the Queen’s companion. Their burgeoning friendship gives her a chance to fulfill her ambitions and she will not let woman, man, politics or rabbit stand in her way.

Guitar Moves With Keith Richards

https://youtu.be/ceWWMfhAvD4

A few years ago, Matt Sweeney had a chat with Keith Richards, wherein the master dropped some wisdom, told some great stories, and demonstrated the open G tuning he used on “Honky Tonk Women,” “Brown Sugar,” “Happy,” and tons of other Stones songs. Amazing stuff.

Legend is a word that’s thrown around probably too much, but there’s no real other way to describe Keith Richards. What else can you even say about the Rolling Stones guitarist? The 71-year-old is not only responsible for creating some of the most monumental music we’ve enjoyed over the last five decades, but his influence—alongside the Stones—have shaped music and the world that surrounds it. Watch our latest episode of Guitar Moves in which host Matt Sweeney lives his dream, freaks out, and sits down with Richards himself. Ever wanted to know how Richards learned how to play the guitar? Well, it started with his grandfather…

https://youtu.be/p4BH_F4zgtA

John Byrne, Legend

I was a huge John Byrne fan growing up, so this is pretty dang cool.

More About John Byrne: John Lindley Byrne (born July 6, 1950) is a British-born, Canadian raised, American writer and artist of superhero comics. Since the mid-1970s, Byrne has worked on many major superheroes, with noted work on Marvel Comics’ X-Men and Fantastic Four and the 1986 relaunch of DC Comics’ Superman franchise, the first issue of which featured comics’ first variant cover. Coming into the comics profession as penciller, inker, letterer and writer on his earliest work, Byrne began co-plotting the X-Men comics during his tenure on them, and launched his writing career in earnest with Fantastic Four (where he also served as penciller and inker). During the 1990s he produced a number of creator-owned works, including Next Men and Danger Unlimited. He scripted the first issues of Mike Mignola’s Hellboy series and produced a number of Star Trek comics for IDW Publishing. In 2015, Byrne and his X-Men collaborator Chris Claremont were entered into the Will Eisner Award Hall of Fame.

Every Day Of My Life

Go to my office, sit at my desk,
Predictably just like all of the rest.
I sit and I dream about far away places,
Away from the people with frowns on their faces.
All of my life is monotony
I’d go out for a walk but I know it would be
(Predictable)
Sure as the nose on my face
(Predictable)
Same for the whole human race
Once we (once we) had so many options
Once we (once we) had dignity and grace
Now we (now we) have got nothing but our own time to waste.

Oob La Do Do

Anyone going to pick up the remastered White Album? I don’t have $140 laying around, but I’d really like to hear the Esher demos. Also, and I know I will take heaps of abuse for this, I could do without about half that album.