18 Years Ago…

Radiohead ditched their guitars and released Kid A. So now it’s old enough to buy cigarettes and vote. They grow up so fast…

https://www.youtube.com/watch?v=GnfPaaMR6Qc

How Bruce Thomas Came Up With That Glorious Bass Riff

As Thomas tells The Peverett Phile blargh …

The riff wasn’t totally spontaneous, it was sort of contrived [from riffs] I’d been listening to at the time. It’s kind of weird. If you listen to “The Price of Love” by the Everly Brothers, you’ll get the rhythmic pattern.

And if you listen to “You Gotta Lose” by Richard Hell & The Voidoids, you put those notes to the riff you get “Pump It Up.” It’s a hybrid riff.

Then I was left with a half a bar so I added “You Really Got Me,” which was one of the best songs ever written. So, that was it.

I love this shit. Everybody rips off somebody – some are just more creative about it than others.

Classic Album Sunday On Thursday

Check it out, you bastards.

BMG’s Art of The Album series presents a unique insight into the making of a seminal album. Recorded on the 8th June 2016, Dave Vanian and Captain Sensible of The Damned sat down with Colleen Murphy from Classic Album Sundays to discuss the stories, recording and impact of one punk’s very first album release.

How Do You Sleep?

This is pretty fucking cool.

New & exclusive 2018 Raw Studio Mix video with never-before-seen footage.
The IMAGINE Raw Studio Mixes place you in the centre of Ascot Sound Studios with John Lennon and The Plastic Ono Band all around you. No reverb or echo, no effects, no strings, just live, unvarnished and raw. Available in stereo and exclusively in 5.1 Surround Sound in The Ultimate Collection Box Set.

Imagine you are at the Lennon’s home, Tittenhurst Park in Ascot, England. It’s night. It’s the last week in May in 1971 and you are their special guest, sat in a chair in the very center of the their recording studio, Ascot Sound Studios. John Lennon is sat in front of you, teaching the musicians one of his latest compositions. He is talking and singing and playing the same wood-finish Epiphone Casino electric guitar he played on ‘Revolution’. A bearded George Harrison is in front of you, to the right, playing electric slide on John’s pale blue Fender Strat. Just behind you and to your right, Rod Lynton with Ted Turner from Wishbone Ash are strumming chords on twelve string acoustic guitars, and directly behind you to the right, John and George’s old friend Klaus Voormann is playing his deep hand-painted Fender Precision bass. Behind you to the left, Alan White (who would later join Yes) is playing his Ludwig silver sparkle drumkit, and in front of you to the left, John Tout from Renaissance is playing chords on the Steinway upright piano, and to his right, Nicky Hopkins is improvising on the red-top Wurlitzer Electric Piano, literally days before he leaves for Nellcôte to play on Exile on Main Street with The Rolling Stones. You are listening to the band playing ‘How Do You Sleep’ and all the hairs are standing up on your arms.

For the Raw Studio Mix of ‘How Do You Sleep?’ (Takes 5 & 6) In the Imagine Ultimate Collection Box Set on Blu-Ray Audio Disc 2, the 5.1 Surround Sound positions are:
Front Centre – John Lennon: electric guitar, vocal
Front Left – Nicky Hopkins: electric piano
Front Right – George Harrison: electric slide guitar
Surround Left – Alan White: drums
Surround Right – Klaus Voormann: bass

About ‘How Do You Sleep?’ by John & Yoko
excerpted from the 120 page book in the Imagine Ultimate Collection Box Set

John: Somebody said the other day ‘It’s about me’. You know, there’s two things I regret. One is that there was so much talk about Paul on it, they missed the song. It was a good track. And I should’ve kept me mouth shut – not on the song, it could’ve been about anybody, you know? And when you look at them back, Dylan said it about his stuff, you know, most of it’s about him. The only thing that matters is how he and I feel about those things and not what the writer or the commentator thinks about it, you know? Him and me are OK. So I don’t care what they say about that, you know? I’ve always been a little, you know, loose. And I hope it’ll change because I’m fed up of waking up in the papers. But if it doesn’t, my friends are my friends whatever way.

Attention: Other Other Elvis

Something of interest for you, perhaps?

Memoir by the cofounder and former lead guitarist of heavy metal giants Judas Priest

Judas Priest formed in the industrial city of Birmingham, England, in 1969. With its distinctive twin-guitar sound, studs-and-leather image, and international sales of over 50 million records, Judas Priest became the archetypal heavy metal band in the 1980s. Iconic tracks like “Breaking the Law,” “Living after Midnight,” and “You’ve Got Another Thing Comin'” helped the band achieve extraordinary success, but no one from the band has stepped out to tell their or the band’s story until now.

As the band approaches its golden anniversary, fans will at last be able to delve backstage into the decades of shocking, hilarious, and haunting stories that surround the heavy metal institution. In Heavy Duty, guitarist K.K. Downing discusses the complex personality conflicts, the business screw-ups, the acrimonious relationship with fellow heavy metal band Iron Maiden, as well as how Judas Priest found itself at the epicenter of a storm of parental outrage that targeted heavy metal in the ’80s. He also describes his role in cementing the band’s trademark black leather and studs image that would not only become synonymous with the entire genre, but would also give singer Rob Halford a viable outlet by which to express his sexuality. Lastly, he recounts the life-changing moment when he looked at his bandmates on stage during a 2009 concert and thought, “This is the last show.” Whatever the topic, whoever’s involved, K.K. doesn’t hold back.

BONUS!

Dreaming The Beatles: The Love Story Of One Band And The Whole World

Thanks to Fat Elvis for bringing this to my attention. So far, so good.

NPR Best Book of 2017

Winner of the 2017 Virgil Thomson Award for Outstanding Music Criticism

“This is the best book about the Beatles ever written” —Mashable

Rob Sheffield, the Rolling Stone columnist and bestselling author of Love Is a Mix Tape offers an entertaining, unconventional look at the most popular band in history, the Beatles, exploring what they mean today and why they still matter so intensely to a generation that has never known a world without them.

Dreaming the Beatles is not another biography of the Beatles, or a song-by-song analysis of the best of John and Paul. It isn’t another exposé about how they broke up. It isn’t a history of their gigs or their gear. It is a collection of essays telling the story of what this ubiquitous band means to a generation who grew up with the Beatles music on their parents’ stereos and their faces on T-shirts. What do the Beatles mean today? Why are they more famous and beloved now than ever? And why do they still matter so much to us, nearly fifty years after they broke up?

The Public Image Is Rotten

Thanks to Renfield for the heads-up on this documentary. I would love to see it in the theater but it’s not looking likely.

After the breakup of the Sex Pistols, John Lydon / Johnny Rotten, formed Public Image Ltd (PiL)– his groundbreaking band which has lived on nearly 15 times as long as his first one. He kept the band alive ever since, through personnel and stylistic changes, fighting to constantly reinvent new ways of approaching music, while adhering to radical ideals of artistic integrity. John Lydon has not only redefined music, but also the true meaning of originality.

Former and current bandmates, as well as fellow icons like Flea, Ad-Rock and Thurston Moore, add testimony to electrifying archival footage (including stills and audio from the infamous Ritz Show). With his trademark acerbic wit and unpredictable candor, Lydon offers a behind-the-scenes look at one of music’s most influential and controversial careers.

Nasty

https://youtu.be/3zPCkgUSchI

Season 2, episode 3 of The Young Ones, featuring Terry Jones as the drunk vicar and musical guest The Damned. (Original air date May 29, 1984.) For all of MTV’s evils, it did introduce the US to this crazy, offbeat British sitcom. I loved it immediately, and watching it now, I feel like it’s aged pretty well. Alexei Sayle was absolutely the show’s secret weapon.

If I had to pick, “Nasty” is my favorite episode. A horror movie theme and a punk band?

Fuhgeddaboudit.