Watching comics legend Todd McFarlane speed draw his favorite characters.
But it’s not.
Get in MY VEINS.
Martin Short is a genius.
2017 Oscar-nominated animated short by Robert Valley. You may have seen his stuff here and there already; I became aware of him on Netflix’s Love Death + Robots. The real mind-blower is that he does all of this in Photoshop, which must take FOREVER.
A documentary AND new episodes!
Johnny Rotten might get de-spotified too, if Mr. Young has his way.
Anyway, I’m a whore for the pretty songs. Sing for me, cowboy!
Sickeningly talented dude. Bill Cowsill was in Blue Northern from 1977 until they broke up in 1982.
Cowsill moved from Calgary to Vancouver as of 1977, and became a fan of the local band Blue Northern. He began sitting in with the band on a regular basis, and not long after he became a member. In 1979, the group released Blue, a four-song, 12″ EP. Two of the songs were written by Cowsill, who also produced the record. The band’s self-titled album was released on Polydor Records in early 1981, and was co-produced by Cowsill. The band broke up in 1982, notwithstanding continuing public interest, as well as Juno Award and Canadian Country Music Award nominations.
The Blue Shadows was his band from 1992 to 1996.
In 1992, Cowsill became the co-lead singer, with Jeffrey Hatcher, of The Blue Shadows. Cowsill and Hatcher became known for their Everly Brothers-like harmonies. Cowsill regarded his association with The Blue Shadows as his most positive experience as a musician, to that point in his career. In 1993, The Blue Shadows were signed to Sony and released their debut album, On The Floor of Heaven receiving positive reviews. The group found itself at the forefront of a Canadian Alt.country movement. In 2005, Cowsill stated that he considered the title track to the album to be the best song he had ever written.
I’m down the rabbit hole …