A Brief Design History Of A Watch You’ll Never Own

Fun if for no other reason than you get to see a shitload of mind-numbingly expensive watches all in one place.

A silly question that we get asked quite a bit here at HODINKEE is, “What is the best watch?” Sure, I get why people ask it and what they’re getting at, but it’s impossible to say anything is “the best” when you’re dealing with something as subjective and personal as wristwatches. What you like aesthetically, the history that’s meaningful to you personally, and the idiosyncrasies of how you live your life all impact that answer of that question. However, there’s a similar question that we also get asked a lot, for which I do think there are a few good answers: “What is the most important watch of all time?” The Rolex Submariner is a pretty darn good answer. It’s not the only answer, but it’s one that I find tough to argue with.

Come To Butthead

Second and (I think) final trailer for IT Chapter 2, Electric Boogaloo. Now with 37% more Bill Hader!

September 5 will be here soon, you bastards …

Evil resurfaces in Derry as director Andy Muschietti reunites the Losers Club in a return to where it all began with “IT Chapter Two,” the conclusion to the highest-grossing horror film of all time.

Twenty-seven years after the Losers Club defeated Pennywise, he has returned to terrorize the town of Derry once more. Now adults, the Losers have long since gone their separate ways. However, kids are disappearing again, so Mike, the only one of the group to remain in their hometown, calls the others home. Damaged by the experiences of their past, they must each conquer their deepest fears to destroy Pennywise once and for all…putting them directly in the path of the clown that has become deadlier than ever.

The film is Muschietti’s follow-up to 2017’s critically acclaimed and massive global box office hit “IT,” which grossed more than $700 million worldwide. Both redefining and transcending the genre, “IT” became part of the cultural zeitgeist.

“IT Chapter Two” stars James McAvoy (the “X-Men” movies, “Split,” “Glass”) as Bill, Oscar nominee Jessica Chastain (“Zero Dark Thirty,” “Mama,” “Molly’s Game”) as Beverly, Bill Hader (HBO’s “Barry,” “The Skeleton Twins”) as Richie, Isaiah Mustafa (TV’s “Shadowhunters: The Mortal Instruments”) as Mike, Jay Ryan (TV’s “Mary Kills People”) as Ben, James Ransone (HBO’s “The Wire”) as Eddie, and Andy Bean (“Swamp Thing,” “Allegiant”) as Stanley. Reprising their roles as the original members of the Losers Club are Jaeden Martell as Bill, Wyatt Oleff as Stanley, Jack Dylan Grazer as Eddie, Finn Wolfhard as Richie, Sophia Lillis as Beverly, Chosen Jacobs as Mike, and Jeremy Ray Taylor as Ben. Bill Skarsgård returns in the seminal role of Pennywise.

What If Superman Was An Asshole?

This is getting a lot of buzz over at Birth.Movies.Death.

What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister? With Brightburn, the visionary filmmaker of Guardians of the Galaxy and Slither presents a startling, subversive take on a radical new genre: superhero horror.

May 24!

Hail Satan!

I’ve heard good things about this.

Chronicling the extraordinary rise of one of the most colorful and controversial religious movements in American history, Hail Satan? is an inspiring and entertaining new feature documentary from acclaimed director Penny Lane (Nuts!, Our Nixon). When media-savvy members of the Satanic Temple organize a series of public actions designed to advocate for religious freedom and challenge corrupt authority, they prove that with little more than a clever idea, a mischievous sense of humor, and a few rebellious friends, you can speak truth to power in some truly profound ways. As charming and funny as it is thought-provoking, Hail Satan? offers a timely look at a group of often misunderstood outsiders whose unwavering commitment to social and political justice has empowered thousands of people around the world.

Another Podcast You Won’t Listen To

Jaw-dropping deception. This podcast is especially recommended to the medically inclined among us.

Money. Romance. Tragedy. Deception. The story of Elizabeth Holmes and Theranos is an unbelievable tale of ambition and fame gone terribly wrong. How did the world’s youngest self-made female billionaire lose it all in the blink of an eye? How did the woman once heralded as “the next Steve Jobs” find herself facing criminal charges — to which she pleaded not guilty — and up to 20 years in jail? How did her technology, meant to revolutionize healthcare, potentially put millions of patients at risk? And how did so many smart people get it so wrong along the way? ABC News chief business, technology and economics correspondent Rebecca Jarvis, along with producers Taylor Dunn and Victoria Thompson, take listeners on a journey that includes a three-year-long investigation. You’ll hear exclusive interviews with former employees, investors, and patients, and for the first-time, the never-before-aired deposition testimony of Elizabeth Holmes, and those at the center of this story. New episodes post Wednesdays.

Check it out here. By the way, the title is a double entendre I just got.

Speaking Of Cthulhu …

Received this in the mail yesterday! Even better than I expected, and the photo doesn’t really do it justice. Shout out to sculptor Joe Broers, who was nice enough to ship this thing in the middle of a massive snowstorm. The free demon magnet (also one of his originals, I assume) and the little doodle on the box were nice touches, too.

The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.

H.P. Lovecraft
“The Call of Cthulhu”
1928

Get Me This

Stanley Kubrick’s Napoleon: The Greatest Movie Never Made

He read hundreds of books on the man and broke the information down into categories “on everything from his food tastes to the weather on the day of a specific battle.” He gathered together 15,000 location scouting photos and 17,000 slides of Napoleonic imagery.

He would shoot the film in France and Italy, for their grand locations, and Yugoslavia, for their cheap armies. These were pre-CG days, and he arranged to borrow 40,000 Romanian infantry and 10,000 cavalry for the battles. “I wouldn’t want to fake it with fewer troops,” he said to an interviewer at the time, “because Napoleonic battles were out in the open, a vast tableau where the formations moved in an almost choreographic fashion. I want to capture this reality on film, and to do so it’s necessary to recreate all the conditions of the battle with painstaking accuracy.”

You could make it yourself if you want, as every single bit of information pertaining to the project has recently been published in the form of a book called Stanley Kubrick’s Napoleon: The Greatest Movie Never Made.