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Goldbergs


I’m sure you all have a lot of music you have to hear a few times a year. On my list is Bach’s Goldberg Variations. I’m kind of addicted to theme and variations pieces, and this is one of the best, inventive and resourceful as hell. Bach can get too dour and Lutheran for me, but not here. Consists of an aria, 30 variations, then the aria again at the end. The common theme is not the aria but the bass line, which is repeated in every variaton, although not always overtly. The melodies of the variations are not necessarily related to one another. A huge range of material from a single bass line. Reminds me of how many rock songs use the same bass/chord structures a million different ways. But these are all from one work by one guy.

If I’m in the mood to hear a crazy young person play it, I go to Glenn Gould’s 1955 recording. This record made him an overnight sensation, and I would guess that it’s the #1 selling classical album of all time. If I’m in the mood to hear a crazy middle-aged person play it, I like GG’s 1981 re-make. When I want to hear it played by someone from this planet, I like the one posted above.

Musicologists wet their trousers when Bach is played on a piano instead of a harpsicord. They shit themselves too if the pianist is as individual and “inauthentic” as GG. All the more reason to love these records.

A musicologist is a man who can read music but can’t hear it. -Sir Thomas Beecham

Without music, life would be a mistake.-Friedrich Nietzsche

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Tone Loco

So great. He thought it sucked but the producer told him to leave it in.

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Cults Cults Cults


I’ve posted twice on them. Here’s a third. They excel at hooks, often recycled 60’s girl group ones. Who cares? Not I. Two albums, Cults and Static, are worth playing all the way through. I think I was underwhelmed by the others, but I sampled them quickly so could have misjudged.