Eight years ago?!
I’ll Take It
Just watch the trailer. I’m in!
When Did This Become A Rockumentary Blog?
I can’t remember either, but here’s one more …
The Bee Gees: How Can You Mend a Broken Heart, directed by acclaimed filmmaker Frank Marshall (“Seabiscuit”, “The Curious Case of Benjamin Button”) chronicles the triumphs and hurdles of brothers Barry, Maurice and Robin Gibb, otherwise known as the Bee Gees.
The iconic trio, who found early fame in the Sixties, went on to write over 1,000 songs, including twenty number one hits throughout their storied career. This film follows the Bee Gee’s meteoric rise, as they rode the highs of fame and fortune, negotiated the vagaries of the ever-shifting music business and navigated the complexities of working so intimately alongside family.
The feature documentary premieres December 12 on HBO Max.
I’ve Never Felt Older
https://youtu.be/rECUkcBL-DA
This passes for entertainment with our kids these days …
Bob And Ray: The Two And Only
Because you’ve got nothing better to do today. If I embedded this correctly, the whole album should play.
Julius Pringles?!
I’m dying.
Tell Us About The Pixies
Two great turns of phrase, among many:
– “screaming mass of flesh” describing Black Francis
– “psychotic Beatles” in reference to the band
Enjoy the intro on this cover:
The Skegss = The Shaggs + The Scruffs? Help me out…
Crock Of Gold
I’ve been encouraged countless times by you people to get into the Pogues. I just might do it now.
There’s a Video…
This was my most played track on Spotify this year. Shocking, I know.
Happy Birthday Lola
”I wanted an intro similar to what we used on “Dedicated Follower Of Fashion”, which was two Fender acoustic guitars and Dave’s electric guitar; so I went down to Shaftesbury Avenue and bought a Martin guitar, and this National guitar that I got for £80, then double-tracked the Martin, and double-tracked the National – that’s what got that sound.”
I leave it to our designated Kinksman to comment on all things Lola vs Powerman and Moneygoround, but I enjoyed the 50th birthday article here.
The subject matter sailed over the heads of the BBC censors, who only balked at the lyrical mention of Coca-Cola, which violated its rule about commercial insertions. In reaction, Davies subbed in “cherry cola” on an alternate version.
While gay references had cropped up in pop songs before, “‘Lola’ was the first big hit with an L.G.B.T. theme,” said JD Doyle, a music historian who ran the authoritative radio show “Queer Music Heritage.” “‘Lola’ made history.”
According to Davies, “Lola” encouraged other songwriters to explore related territory. “Before he passed away, Lou Reed told me that ‘Lola’ was a big influence on him,” he said. “It was reassuring to him when he did ‘Walk on the Wild Side.’”