Sex Pistols At Winterland

Recorded January 14, 1978, at the Winterland Ballroom in San Francisco, CA.

Setlist:
0:00:00 – God Save The Queen
0:04:13 – I Wanna Be Me
0:08:19 – I’m A Lazy Sod
0:10:42 – New York
0:14:25 – EMI
0:18:09 – Belsen Was A Gas
0:20:22 – Bodies
0:25:15 – Holidays In The Sun
0:29:19 – Liar
0:34:15 – No Feelings
0:37:18 – Problems
0:41:56 – Pretty Vacant
0:45:14 – Anarchy In The UK
0:49:00 – No Fun

The Winterland Ballroom, originally called the New Dreamland Auditorium, opened on June 29, 1928. It initially served as a venue for boxing, opera, and tennis matches, but sometime in the late 1930s, it began to be used as an ice skating rink too – hence the name change.

In 1966, world-renowned asshole Bill Graham began renting the 37,675 square foot space for the rock ‘n’ roll, and it hosted concerts by artists including Bruce Springsteen, The Rolling Stones, The J. Geils Band, The Who, Queen, Slade, Boston, Cream, Yes, Kiss, The Doors, Jimi Hendrix, Steppenwolf, Lynyrd Skynyrd, Styx, Van Morrison, The Allman Brothers Band, Big Brother and the Holding Company with Janis Joplin, Jethro Tull, Pink Floyd, Ten Years After, Rush, Electric Light Orchestra, Genesis, Jefferson Airplane, Traffic, Golden Earring, Grand Funk Railroad, Humble Pie, Bob Seger and the Silver Bullet Band, Robin Trower, Emerson, Lake & Palmer, Loggins and Messina, Lee Michaels, Heart, Journey, Deep Purple, J.J. Cale, Frank Zappa and the Mothers of Invention, Foghat, Mountain, B.B. King, Elvis Costello, and the incomparable Sha Na Na.

Legal capacity was 5,400 souls, so the Winterland was decent-sized but cozy. It was where Zeppelin first performed “Whole Lotta Love,” Scorsese shot The Last Waltz, and parts of “Frampton Comes Alive” were recorded.

Unfortunately, it also served as a sort of home base for The Grateful Dead, so it had to be torn down. Okay, not really. It was purchased by Consolidated Capitol Inc in 1978, demolished in 1985, and replaced with apartments.

Attention: Other Other Elvis

Something of interest for you, perhaps?

Memoir by the cofounder and former lead guitarist of heavy metal giants Judas Priest

Judas Priest formed in the industrial city of Birmingham, England, in 1969. With its distinctive twin-guitar sound, studs-and-leather image, and international sales of over 50 million records, Judas Priest became the archetypal heavy metal band in the 1980s. Iconic tracks like “Breaking the Law,” “Living after Midnight,” and “You’ve Got Another Thing Comin'” helped the band achieve extraordinary success, but no one from the band has stepped out to tell their or the band’s story until now.

As the band approaches its golden anniversary, fans will at last be able to delve backstage into the decades of shocking, hilarious, and haunting stories that surround the heavy metal institution. In Heavy Duty, guitarist K.K. Downing discusses the complex personality conflicts, the business screw-ups, the acrimonious relationship with fellow heavy metal band Iron Maiden, as well as how Judas Priest found itself at the epicenter of a storm of parental outrage that targeted heavy metal in the ’80s. He also describes his role in cementing the band’s trademark black leather and studs image that would not only become synonymous with the entire genre, but would also give singer Rob Halford a viable outlet by which to express his sexuality. Lastly, he recounts the life-changing moment when he looked at his bandmates on stage during a 2009 concert and thought, “This is the last show.” Whatever the topic, whoever’s involved, K.K. doesn’t hold back.

BONUS!

This Looks Kinda Cool …

Directed by Cary Fukunaga (Beasts of No Nation, True Detective). Available for viewing on Netflix September 21.

Set in a world somewhat like our world, in a time quite similar to our time, Maniac tells the stories of Annie Landsberg (Emma Stone) and Owen Milgrim (Jonah Hill), two strangers drawn to the late stages of a mysterious pharmaceutical trial, each for their own reasons. Annie’s disaffected and aimless, fixated on broken relationships with her mother and her sister; Owen, the fifth son of wealthy New York industrialists, has struggled his whole life with a disputed diagnosis of schizophrenia. Neither of their lives have turned out quite right, and the promise of a new, radical kind of pharmaceutical treatment—a sequence of pills its inventor, Dr. James K. Mantleray (Justin Theroux), claims can repair anything about the mind, be it mental illness or heartbreak—draws them and ten other strangers to the facilities of Neberdine Pharmaceutical and Biotech for a three-day drug trial that will, they’re assured, with no complications or side-effects whatsoever, solve all of their problems, permanently. Things do not go as planned.

What Happened To Gibson?

I was wondering how the company that once made the best (in my opinion) six-string electrics alienated so many loyal customers and landed in bankruptcy.   Did some googling and came across the all-too-common tale of misplaced priorities, high staff turnover,  and ego-driven incompetence at the top.  It took bankruptcy to convince their CEO that just maybe they should focus on building  good guitars.   Fortunately he’s on the way out.  Here is a pretty good summary.

Mort Drucker Interview

Fantastic.

One of the most innovative, inspirational and imitated artists in the history of cartooning, Mort Drucker has illuminated the pages of MAD Magazine since 1956 with his brilliant movie and TV caricatures. His Time covers hang in the National Portrait Gallery and he holds an Honorary Doctor of Fine Arts degree from the Art Institute of Boston. In 1987, the National Cartoonists Society awarded him the profession’s highest honor, the Reuben Award for Outstanding Cartoonist of the Year.

In 2015, he became the inaugural recipient of the NCS Medal of Honor. To mark the occasion, the NCS created a commemorative video. Filmed at Mort’s home studio in Long Island, New York, the legendary artist talked to his friend and fellow cartoonist John Reiner, the artist on the hugely popular features The Lockhorns, Howard Huge and Laugh Parade.

In a warm and enthralling conversation, the pair reflected on Mort’s path from his teenage days as a comic book assistant artist to his rapid ascent to the pinnacle of the profession, and discussed the attention to detail and quest for cartooning excel;;once that haas been the hallmark of Drucker’s illustrious career.