Feast your ears, bastards! Rachael Price from Lake Street Dive and songwriter Vilray V. Vilray (no surname) perform new tunes written to sound like those from the 30s and 40s. I’m reminded of a line from A Clockwork Orange, which I am currently re-reading for the first time since college …
Oh bliss! Bliss and heaven! Oh, it was gorgeousness and gorgeousity made flesh. It was like a bird of rarest-spun heaven metal or like silvery wine flowing in a spaceship, gravity all nonsense now. As I slooshied, I knew such lovely pictures!
And here’s the NPR podcast from whence I discovered them …
As near as I can tell, Jiskefet was a Dutch sketch comedy show that came and went for 16 seasons between 1990 and 2010. Here’s their take on how British sports appear (and sound) to the rest of the world.
THE FRENCH DISPATCH brings to life a collection of stories from the final issue of an American magazine published in a fictional 20th-century French city. It stars Benicio del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, Bill Murray and Owen Wilson.
I watched them on Hulu, but they’re available everywhere, I’m sure. The first recommendation is The Quiet One, a film about retired Stone Bill Wyman. I think it was released last summer.
Throughout his three-decade career as a founding member of and bassist for The Rolling Stones, Bill Wyman was known to the world as the “quiet one” in the band. Now, the famously private music legend speaks out about his extraordinary life and experiences as part of “the greatest rock and roll band in the world.” Opening up his vast personal archive—a lifetime’s worth of previously unseen home movies, photographs, and memorabilia—Wyman reflects on his early years with The Stones, the band’s meteoric rise to fame, and his search for a sense of “normalcy” amidst the whirlwind of sex, drugs, and rebellion. Endearingly humble and down-to-earth, Wyman pulls back the curtain to offer a one-of-a-kind perspective on life as a reluctant rock star.
The second is 2007’s Joe Strummer: The Future Is Unwritten, which you bastards have probably already seen. I missed it, somehow.
… paints an uncommonly colorful picture of the onetime leader of The Clash. Director Julien Temple reveals Strummer as more than a punk legend, but a stunning cultural communicator whose influence knew no bounds.
