Looking forward to the Game Stop saga.
How To Spot A Deepfake
All you got to do is watch, with your ears.
At the encouragement of Fakerbot, I listened to several of the AI-songs out there before they all got yanked after a couple of days. But some of them are back up!
Hearing early Beach Boys”I Get Around” era Brian Wilson falsetto on “Be My Baby” – the song that drove his entire professional career – is sublime. Listen before they take it down again.
I also heard some pretty bad AI Nirvana.
The best of the lot is definitely Elvis singing Iggy Pop.
You can’t even tell it’s simulated!
Hi! I’m back on Twitter! To promote my new show!https://t.co/lUUjEVBFhG pic.twitter.com/PSbL2Ex4XU
— Peter Serafinowicz (@serafinowicz) May 5, 2023
Jesus Is Coming
Better get a perm.
Music Lover
A band formed during lockdown, getting after it.
All Your Face Are Belong To Us
For $29.99 a month, a website called PimEyes offers a potentially dangerous superpower from the world of science fiction: the ability to search for a face, finding obscure photos that would otherwise have been as safe as the proverbial needle in the vast digital haystack of the internet.
A search takes mere seconds. You upload a photo of a face, check a box agreeing to the terms of service and then get a grid of photos of faces deemed similar, with links to where they appear on the internet. The New York Times used PimEyes on the faces of a dozen Times journalists, with their consent, to test its powers.
PimEyes found photos of every person, some that the journalists had never seen before, even when they were wearing sunglasses or a mask, or their face was turned away from the camera, in the image used to conduct the search.
I’m sure that this technology will only be used for noble pursuits.
It Was Bound To Happen
A Google engineer got fired after making the case that his chatbot had become self-aware. The bot talked about what made it sad and depressed, and about its rights, which may have convinced the engineer that the bot had feelings. Most tech experts who have evaluated the situation are not convinced.
There is no agreed-upon Turing Test for artificial or alien intelligence, so that complicates the matter. A transcript of the conversation is here.
“[REDACTED] insisted that the toaster oven in our rehearsal space was sentient, but he probably inhaled a lot of canned air duster at the mixing board.”
– anonymous Subteens member
Faster, Pussycat! Flee! Flee!
Maria Alyokhina (above left), a member of Pussy Riot, has managed to escape Russia. She posed as a food carrier to get into Belarus, and then an Icelandic performance artist convinced a European country to issue her a travel document, which got her safely into Lithuania.
Great recap of the entire cloak-and-dagger operation here. After multiple instances of being jailed for proclaiming Russia’s suckitude over the past decade, she got out. The picture of relative incompetence of the authorities that she paints matches the extensive coverage on Renfield’s website.
“I don’t think Russia has a right to exist anymore,” she said. “Even before, there were questions about how it is united, by what values it is united, and where it is going. But now I don’t think that is a question anymore.”
The Icelandic performance artist was not Bjork, but being Icelandic, he is of course related to Bjork.
Down in the Sand
Alan Splet, who worked with David Lynch, remains my sound design hero. And we all acknowledge Ben Burtt. But these Doooooon guys (Mark Mangini and Theo Green) put on a show. I realized from the first minute watching it that the sound was going to be fantastic, and a new article provides some insight:
By way of explaining it to me, Mangini ground his work boot into the soft patch of sand that he had dusted with Rice Krispies. The sand produced a subtle, beguiling crunch, and Villeneuve broke out into a big smile. Though he’d heard it plenty of times in postproduction, he had no idea what the sound designers had concocted to capture that sound.
“I wanted Theo and Mark to have the proper time to investigate and explore and make mistakes,” Villeneuve said. “It’s something I got really traumatized by with my early movies, where you spend years working on a screenplay, then months shooting and editing it, and then right at the end, the sound guy comes and you barely have enough time.”
By hiring his sound designers early and setting them loose, Villeneuve could even take some of their discoveries and weave them into Hans Zimmer’s score, producing a holistic aural experience where the percussive music composition and pervasive sound design can sometimes be mistaken for one another.
And much like a band, the sounds of “Dune” benefited from some intriguing vocalists. To create the Voice, a persuasive way of speaking that allows Paul and his mother (Rebecca Ferguson) to draw on the power of their female ancestors — a witchy order called the Bene Gesserit — Villeneuve and his sound team cast three older women with smoky, commanding voices, then layered their line readings over those of Chalamet and Ferguson.
– Kyle Buchanan, NYT
One of the older women with a smoky voice? Marianne Faithfull.
Exactly!
These guys get it. So. Much. Wasted. Potential.