Do We Need Another Guitar Hero?

Y’all know I’m all loopy over this Jason Isbell fella. I’ve been a fan since he was in the Drive-by Truckers, and have followed his career closely since. His latest, Weathervanes, is remarkable. A fantastic writer, but moreover a blistering guitar player (he bought Ed King’s Les Paul), who stretches out a lot with his band, but doesn’t get all boring jammy. He sat in with Dino Jr. during their anniversary run in NYC. It’s guitar-riffic!

Also, he went to University of Memphis and was recently given his degree because he was apparently only one phys ed class short of a degree.

I’m Not Trying to Be Elvis

I noticed this was leaving the Criterion Channel, and figured I’d watch it. I never really knew much about Orion (Jimmy Ellis) or listened to him at all, dismissing him as an Elvis impersonator. I know y’all aren’t Elvis (RIP PBUH) devotees like I am, so I don’t know if you’d find it as fascinating, but I was transfixed. Also, there is a ZINGER about 3/4 in, that they focus on for about 5 seconds, that discusses who his real father is (you can guess), and why he may sound EXACTLY like Elvis when he sings. As someone who has listened to a lot more EP than you have, I mean Exactly.
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Pelo

I’ve been enjoying this archive of Pelo magazines going back to the 70s. There are a lot of cool photos I’ve never seen anywhere, and a lot of the issues will have links to posters that came with the issues which are fabulous. Tempted to print a couple of them.

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The Subways

Not sure how I missed these guys.

You all need to look in the mirror and ask yourselves if you’re providing me sufficient exposure to all the good bands I need.

Tommy!

Tommy’s latest incarnation is his Cowboys in the Campfire outfit with longtime touring partner Chip Roberts. I for one am looking forward to it as he is my spiritual leader. Vinyl I don’t need pre-order!

I Am Everything

Hell yeah, I’m in! Anything more cringe than Pat motherfucking Boone singing “Tutti Frutti?”

Produced by Bungalow Media + Entertainment for CNN Films and HBO Max, in association with Rolling Stone Films, director Lisa Cortés’ Sundance opening night documentary LITTLE RICHARD: I AM EVERYTHING tells the story of the Black queer origins of rock n’ roll, exploding the whitewashed canon of American pop music to reveal the innovator – the originator – Richard Penniman. Through a wealth of archive and performance that brings us into Richard’s complicated inner world, the film unspools the icon’s life story with all its switchbacks and contradictions. In interviews with family, musicians, and cutting-edge Black and queer scholars, the film reveals how Richard created an art form for ultimate self-expression, yet what he gave to the world he was never able to give to himself. Throughout his life, Richard careened like a shiny cracked pinball between God, sex and rock n’ roll. The world tried to put him in a box, but Richard was an omni being who contained multitudes – he was unabashedly everything. Directed by Lisa Cortés, LITTLE RICHARD: I AM EVERYTHING is produced by Robert Friedman, Cortés, Liz Yale Marsh and Caryn Capotosto and Executive Produced by Dee Rees.

Forgotten Gem

Probably my favorite EJ song.  It’s the second half of a medley that opens Goodbye Yellow Brick Road.  It (along with the opening song, the instrumental Funeral For a Friend) got quite a bit of airplay on FM radio when the album was released.  This was the glory days of FM, when stations played deep tracks.  You never heard it on AM, which stuck to singles.  It gets left out of “best of” compilations, and many EJ fans don’t know it.  I don’t get why.  This song has everything going for it, including a killer bass line.  It’s one of the songs I used to teach myself bass when I got one in 10th grade.