Probably my favorite EJ song. It’s the second half of a medley that opens Goodbye Yellow Brick Road. It (along with the opening song, the instrumental Funeral For a Friend) got quite a bit of airplay on FM radio when the album was released. This was the glory days of FM, when stations played deep tracks. You never heard it on AM, which stuck to singles. It gets left out of “best of” compilations, and many EJ fans don’t know it. I don’t get why. This song has everything going for it, including a killer bass line. It’s one of the songs I used to teach myself bass when I got one in 10th grade.
When you’re ignorant, everything is new and exciting.
I had no idea that Mr Davies wrote this tune until I learned it in the episode of Waterloo Sunset, which just dropped. It’s awesome.
As are the Pretenders live in London.
Dolly/Carly/Lionel yes, but Devo, MC5, Eurhythmics, Judas Priest hell no.
Hard to believe, but Up The Bracket turns twenty this year. If a better album’s come out since, I haven’t heard it.
These guys were so great before drugs and dysfunction overcame them.
I always forget they’re Californian, as it seems like they could have spewed forth from Appalachia, or anywhere.
Fogerty’s ’68-’70 run was nuts:
- I Put A Spell On You
- Proud Mary
- Bad Moon Rising
- Green River
- Down On The Corner
- Fortunate Son
- Travelin’ Band
- Who’ll Stop the Rain
- Lookin’ Out My Back Door
- Long As I Can See The Light
Been reading more about them, their implosion, all the record label nonsense.
I was alone when I made that [CCR] music. I was alone when I made the arrangements, I was alone when I added background vocals, guitars and some other stuff. I was alone when I produced and mixed the albums. The other guys showed up only for rehearsals and the days we made the actual recordings. For me Creedence was like sitting on a time bomb. We’d had decent successes with our cover of “Susie Q” and with the first album when we went into the studio to cut “Proud Mary.” It was the first time we were in a real Hollywood studio, RCA’s Los Angeles studio, and the problems started immediately. The other guys in the band insisted on writing songs for the new album, they had opinions on the arrangements, they wanted to sing. They went as far as adding background vocals to “Proud Mary,” and it sounded awful.
I like the studio version better than any of the live youtube-ables. One of my favorite S-K tunes.
This is kinda cool. It’s an interview with Poison Ivy and Lux Interior at their, well, interior. I don’t think I’ve ever heard Lux speak, but I was a little disappointed when it wasn’t in that rockabilly voice. He was one of a kind for sure…
Paul McCartney + Todd Rundgren + Memphis = Van Duren. Van made probably the best album from the ’77-’78 local power pop “scene.” I use quotes because that “scene” consisted of three bands, a revolving cast of girfriends, about 20 midtown weirdos, and no clubs that would book those bands more than once. So barely a scene at all. Which is why everyone tried relocating, with varying degrees of failure.
Great song, although he might have overused the “whoas.”
Thank you. Thank you very much.