Dolly/Carly/Lionel yes, but Devo, MC5, Eurhythmics, Judas Priest hell no.
Hard to believe, but Up The Bracket turns twenty this year. If a better album’s come out since, I haven’t heard it.
These guys were so great before drugs and dysfunction overcame them.
I always forget they’re Californian, as it seems like they could have spewed forth from Appalachia, or anywhere.
Fogerty’s ’68-’70 run was nuts:
- I Put A Spell On You
- Proud Mary
- Bad Moon Rising
- Green River
- Down On The Corner
- Fortunate Son
- Travelin’ Band
- Who’ll Stop the Rain
- Lookin’ Out My Back Door
- Long As I Can See The Light
Been reading more about them, their implosion, all the record label nonsense.
I was alone when I made that [CCR] music. I was alone when I made the arrangements, I was alone when I added background vocals, guitars and some other stuff. I was alone when I produced and mixed the albums. The other guys showed up only for rehearsals and the days we made the actual recordings. For me Creedence was like sitting on a time bomb. We’d had decent successes with our cover of “Susie Q” and with the first album when we went into the studio to cut “Proud Mary.” It was the first time we were in a real Hollywood studio, RCA’s Los Angeles studio, and the problems started immediately. The other guys in the band insisted on writing songs for the new album, they had opinions on the arrangements, they wanted to sing. They went as far as adding background vocals to “Proud Mary,” and it sounded awful.
I like the studio version better than any of the live youtube-ables. One of my favorite S-K tunes.
This is kinda cool. It’s an interview with Poison Ivy and Lux Interior at their, well, interior. I don’t think I’ve ever heard Lux speak, but I was a little disappointed when it wasn’t in that rockabilly voice. He was one of a kind for sure…
Paul McCartney + Todd Rundgren + Memphis = Van Duren. Van made probably the best album from the ’77-’78 local power pop “scene.” I use quotes because that “scene” consisted of three bands, a revolving cast of girfriends, about 20 midtown weirdos, and no clubs that would book those bands more than once. So barely a scene at all. Which is why everyone tried relocating, with varying degrees of failure.
Great song, although he might have overused the “whoas.”
Thank you. Thank you very much.
Since I posted an annoying song, here’s a good one. A women’s prison riot, two-gun Mathilde, and a, um, suggestive arrival of State Troopers. What, I ask, is not to love here?
I listened to a podcast today with R.E.M. bassist Mike Mills and the band’s attorney Bertis Downs. The discussed some of the business aspects of running a massively popular band, but they also shared a lot of interesting stories about the band’s early days, behind the scenes operations, and even an anecdote about playing Losing My Religion around a cauldron in the forests of Paraguay.
This band is one of my all time favorites, and introduced me to the world of music not played on the radio, and they played a major role in changing my view of the world. So, suffice it to say that I was tuned in to every single word of every story.
So this came to be because some business man type finance investment person in Atlanta is best buddies with Downs, and the band. He runs a podcast that appears to be about investing, but thought it would be a good idea to share a behind the scenes look at the business operations required to run a band like this.
So check this out, it’s really interesting…