And so is GWAR. They’ve done Undercover eight times now, which must be a record. Below is my favorite AVU performance of theirs, Kansas’s “Carry On My Wayward Son.”
A.V. Undercover archives are up now too. Right here.
I Am Everything
Hell yeah, I’m in! Anything more cringe than Pat motherfucking Boone singing “Tutti Frutti?”
Produced by Bungalow Media + Entertainment for CNN Films and HBO Max, in association with Rolling Stone Films, director Lisa Cortés’ Sundance opening night documentary LITTLE RICHARD: I AM EVERYTHING tells the story of the Black queer origins of rock n’ roll, exploding the whitewashed canon of American pop music to reveal the innovator – the originator – Richard Penniman. Through a wealth of archive and performance that brings us into Richard’s complicated inner world, the film unspools the icon’s life story with all its switchbacks and contradictions. In interviews with family, musicians, and cutting-edge Black and queer scholars, the film reveals how Richard created an art form for ultimate self-expression, yet what he gave to the world he was never able to give to himself. Throughout his life, Richard careened like a shiny cracked pinball between God, sex and rock n’ roll. The world tried to put him in a box, but Richard was an omni being who contained multitudes – he was unabashedly everything. Directed by Lisa Cortés, LITTLE RICHARD: I AM EVERYTHING is produced by Robert Friedman, Cortés, Liz Yale Marsh and Caryn Capotosto and Executive Produced by Dee Rees.
Jesus Is Coming
Better get a perm.
Pistols Ephemera Up For Auction At Sotheby’s
Check out all this cool stuff! By the way, that’s an Animation City single-cel composite for The Great Rock ‘n’ Roll Swindle, c. 1978 (Estimate: 1,500 – 2,000 GBP).
From The Guardian …
If Pistol, Danny Boyle’s recent TV series, was the story of a rock band, then this collection is the story of an idea: a collaborative multimedia art project in which Reid and McLaren, who met at Croydon art school, were at least as significant as Johnny Rotten and Sid Vicious. “They all brought their own unique visions and the Sex Pistols was the pot that everyone threw everything into,” Stolper says. Many of the images, ostensibly created to promote gigs and records, hold up as artworks in their own right. You could see them without having heard a note of the Sex Pistols’ music and know that they represented a radically significant moment in British youth culture. “This is all at the service of something else,” Wilson says, “and working out what that something else is is the intriguing part of it.”
Bidding opens October 10.
This Shit Is Punk Rock
This looks pretty good. Renfield, didn’t you play there?
“Nightclubbing” is the first-ever documentary about the renowned New York City nightclub Max’s Kansas City (1965-1981) which had an indelible impact on the worlds of music, fashion, art, culture and the creation of the city’s punk rock scene.
Featuring rare footage of Iggy & The Stooges, New York Dolls, Sid Vicious and Wayne/Jayne County & classic footage from Johnny Thunders/Heartbreakers, unique archival footage and exclusive interviews with Alice Cooper, Jayne County, Billy Idol, Steve Stevens, music journalist/Patti Smith Band guitarist Lenny Kaye, late New York Dolls guitarist Sylvain Sylvain, Warhol superstars Penny Arcade & Ruby Lynn Reyner, Suicide’s Alan Vega, Bad Brains H.R. & Dr. Know,
Stimulators’ Denise Mercedes, Nick Marden (and their then-12-year-old drummer, future Cro-Mag Harley Flanagan), Twisted Sister’s Jay Jay French, D Generation’s Jesse Malin, Blondie’s Frank Infante, Dead Boys’ Jimmy Zero, Stiv Bators’ girlfriend Cynthia Ross, Mickey Leigh, Shrapnel/Monster Magnet’s Phil Caivano, Punk Magazine founder & Ramones album cover illustrator John Holmstrom, Mink Deville’s Louis X. Erlanger, American Hardcore author Steven Blush and a who’s who of New York’s rock scene of the time, including Elliott Murphy, Bob Gruen, Peter Crowley, Neon Leon, Leee Black Childers, Donna Destri, Sonny Vincent, Phillys Stein and the fabulous Jimi LaLumia.
PiL Does Holidays In The Sun
Way back in 1988. The most fascinating part is that Lydon sings it like he did in the Pistols, not using his PiL voice.
Urgh! A Music War
Urgh! A Music War from CHADWICK B BUCHANAN on Vimeo.
Remember this? Some of the performances hold up (Devo, anyone?) Fuck that. They all hold up. The old bloog has been on fire. Looks like I won’t have to work at all tomorrow.
So You Want To Collect Beatles Japanese Vinyl
Should you? Whether you do or not, this is fascinating stuff.
Japanese pressings are regarded by many as the best sounding vinyl in the world, but what does it do for The Beatles? Over the decades Japan has issued countless issues of The Beatles albums and there are so many to choose from to collect, but are they worth it?
In this video we take a look at how The Beatles’ original albums were released in the 1960’s and find out which of the subsequent reissued are worth buying and which are not.
Join us on this fascinating trip and do let us know your thoughts about these amazing records.