The house in the photograph belonged to a man named Tom “T. C.” Boring, a dentist born and raised in Greenwood, whom Eggleston has described as the best friend he ever had in the world. He was the scion of a well-respected Delta family, a sharp and promising Southern archetype who glided his way through the University of Mississippi, Loyola University, and the Navy before coming home to Greenwood and gradually, ungracefully losing his mind.
Andy Kaufman began wrestling women as part of his stand-up act and then decided he wanted to get involved in professional wrestling. By the way, I remember seeing the above video clip on our local Saturday morning wrasslin’ program after spending the night at a friend’s house. Hilarious now, but as kids, we didn’t think the taunts were so funny.
Y’all probably know all this already, but here’s wiki-wiki-Wikipedia to tell the whole story about Kaufman’s feud with Jerry Lawler …
Kaufman initially approached the head of the World Wrestling Federation, Vince McMahon Sr., about bringing his act to the New York wrestling territory. McMahon dismissed Kaufman’s idea as the elder McMahon was not about to bring “show business” into his Pro Wrestling society. Kaufman had by then developed a friendship with wrestling reporter/photographer Bill Apter. After many discussions about Kaufman’s desire to be in the pro wrestling business, Apter called Memphis wrestling icon Jerry “The King” Lawler and introduced him to Kaufman by telephone.
Kaufman finally stepped into the ring (in the Memphis wrestling circuit) with a man—Lawler himself. Kaufman taunted the residents of Memphis by playing “videos showing residents how to use soap” and proclaiming the city to be “the nation’s redneck capital”. The ongoing Lawler-Kaufman feud, which often featured Jimmy Hart and other heels in Kaufman’s corner, included a number of staged “works”, such as a broken neck for Kaufman as a result of Lawler’s piledriver and a famous on-air fight on a 1982 episode of Late Night with David Letterman.
For some time after that first match, Kaufman appeared wearing a neck brace, insisting that his injuries were much worse than they really were. Kaufman would continue to defend the Inter-Gender Championship in the Mid-South Coliseum and offered an extra prize, other than the $1,000: that if he were pinned, the woman who pinned him would get to marry him and that Kaufman would also shave his head.
Eventually it was revealed that the feud and wrestling matches were staged works, and that Kaufman and Lawler were friends. This was not disclosed until more than 10 years after Kaufman’s death, when the Emmy-nominated documentary A Comedy Salute to Andy Kaufman aired on NBC in 1995. Jim Carrey, who revealed the secret, later went on to play Kaufman in the 1999 film Man on the Moon. In a 1997 interview with the Memphis Flyer, Lawler said he had improvised during their first match and the Letterman incident.
Although officials at St. Francis Hospital stated that Kaufman’s neck injuries were real, in his 2002 biography It’s Good to Be the King … Sometimes, Lawler detailed how they came up with the angle and kept it quiet. Even though Kaufman’s injury was legitimate, the pair exaggerated it. He also said that Kaufman’s furious tirade and performance on Letterman was Kaufman’s own idea, including when Lawler slapped Kaufman out of his chair. Promoter Jerry Jarrett later recalled that for two years, he would mail Kaufman payments comparable to what other main-event wrestlers were getting at the time, but Kaufman never deposited the checks.
Google Books has archived every issue of SPIN, which is what my original post was going to be about. Then I started digging around in an old issue from the summer after I graduated college (August, 1991), and rediscovered an excellent Paul Westerberg interview. Apparently, rock has always been on the verge of imminent collapse, to quote the man himself. We bastards were just the other day discussing rock’s back seat in pop culture, and this edition of SPIN is 27 years old! Anyhoo, I was amused by this …
SPIN: Is rock dead?
Westerberg: Well, is jazz dead? That’s the way I look at it. Rock ‘n’ roll is underground once again, but it won’t die, just like jazz won’t. It’s not the popular music of the day, but it’s not dead.
A little later, the interviewer asks if Elvis was king, which leads to this exchange …
SPIN: What about somebody like Alex Chilton? You made him a rock hero in your song.
Westerberg: No. I don’t know what Alex represents. Now I listen to his new Rhino compilation, and it’s like, I can’t make up my mind whether Alex is some brilliant chameleon or just a guy who fucking lost it real quick. I almost regret writing that song. It’s sad, because kids will come and ask me about Alex and you’ll see this look in their eyes, and they think he’s some guy in leather pants that jumps from amplifiers or something. It’s like, if they only knew.
We watched this on a whim last night. Best described as lightweight fun, but a must-see for James Bond obsessives. Lazenby is a great storyteller!
ABOUT BECOMING BOND
A Hulu Original Documentary chronicling the bizarre true story of George Lazenby, an Australian car mechanic, who managed to land the role of James Bond despite never acting a day in his life.
In 1998, a little known company named Valve released a first-person shooter named Half-Life and changed the face of gaming. Where other shooters struggled to provide even a semblance of a story, Half-Life had brains to match its brawns; a stirring tale featuring a realistic human cast and a protagonist that was more than a hand and a gun unfolded before the player’s eyes as they progressed through each level.
As Valve grew, so too did Half-Life’s reputation, with Half-Life 2 in 2004 once again revolutionizing the genre, and its episodic expansions, Half-life 2: Episode One and Episode Two, further raising the bar. The series didn’t release consistently, and occasionally suffered unexpected and painful setbacks; but when it did, it seemed as if Valve could do no wrong – until the series suddenly stopped. Shifting priorities, a lack of motivation, and other, more nebulous factors would lead Valve to put Half-Life on ice in the middle of its prime, leaving a generation of gamers adrift, and an opus unfinished.
And yet – Half-Life lives on. Be it in the innumerable games and series it inspired or provided the computative bedrock for, an undying stream of mods, or other media based on the franchise, Half-Life’s DNA is permanently embedded in the fabric of the video game industry, and will likely remain so for some time. As sad as it is that a Half-Life 2: Episode 3 or a Half-Life 3 will likely never happen, and as frustrating as it is that Valve remains belligerent as to precisely why, the series, for the most part, has only really fallen… out of Valve’s hands.
And if you haven’t read the book, we can’t be friends anymore.
Please Kill Me: Voices from the Archives
Two one-hour documentaries that explore an America that birthed the new order of today.
20 years ago journalists and music historians Gillian McCain and Legs McNeil recorded interviews with the icons of Punk for their New York Times best-selling book “Please Kill Me – The Uncensored History of Punk.” Now, these rare, candid interviews have been meticulously restored for Public Radio and compiled to create an oral history of the Punk movement in Please Kill Me – Voices From the Archives.
The stories of these bands are more than music, they’re the cultural evolution of America:
the end of the 60s
the ferment of the 70s
Watergate to the Women’s Movement.
Part One -The Pioneers of Punk
How the Warhol 60’s morphed into the Punk 70’s, marginalized inhabitants of a near-bankrupt New York City, changed 20th century culture, and influenced the World.
Part Two – The Punk Invasion
The music of the Velvet Underground, Iggy and the Stooges,The New York Dolls, and others were meeting fierce resistance in the US. With no other options open to them, during the July 4rth weekend of 1976, as America was celebrating it’s bicentennial, the Ramones went to London and launched punk rock. In England, punk would explode and become a cultural force to be reckoned with.
Features exclusive, never-before-heard interviews with Iggy Pop, Patti Smith, Debbie Harry, the Ramones and many more.
Sylvester Stallone designed this pen and watch set a few years ago as part of cross-promotion for The Expendables. The watches ranged in price from $5,000.00 up to $75,000.00!
So, basically the guy who sat next to you in 8th grade study hall is now making pens.
Or …
For the man who has everything … except taste.
Or …
EXOTIC. MAJESTIC. IMPOSING. A pen that feels like a steel dick in your pocket, stabbing your actual genitals.
