Laurel Canyon

I’ve only seen the first of these, as recommended to us by Fat Elvis once upon a time. It’s great. A friend recently hipped me to Echo in the Canyon, and I noticed that there’s ANOTHER one out too.

I’m nostalgic for California, now that it’s burning up and falling into the ocean. I loved my time there. I may watch all of these. Maybe someone will tell us that Laurel Canyon gave birth to punk.

Goofy TV Gigs

I completely missed this one when it aired.  I don’t remember hearing about it at all.  A little sad, by ’79 the Ramones should have been too big for the Sha Na Na show.

But I did happen to be watching the tube in ’68 when psychedelic proto-punks The Seeds (as The Warts) mimed their biggest hit, the classic pushy-girlfriend-fuck-off song, “Pushin’ to Hard” on a now-forgotten sitcom called The Mothers-in-Law.  I bought the album soon after.  Oddly enough, that album had been released two years earlier, and they’d released another since, but they were still pushin’ this song on TV.  The second verse and guitar break were edited out.

Close Enough

Regular Show is my go to video comfort food. This new series by creator J.G. Quintel was supposed to hit TNT a couple of years ago, but TNT cancelled its animation block (thanks Louis C.K.) and here we are: soon to appear on HBO Max.

Actual Clockwork Orange Filming Locations

Compared to most of Kubrick’s other films, A Clockwork Orange was down and dirty, shot on the cheap. Here are actual locations and a few other goodies. This YouTuber really does his research.

How do you make a futuristic sci-fi movie without building a bunch of crazy sets? In this episode, we take a look at the real futuristic locations and artwork that Stanley Kubrick used for the production design of 1971’s A Clockwork Orange as well as some of the new technology Kubrick used in shooting and recording sound on-location.

Altamont Turns 50

The infamous Altamont Speedway free concert happened fifty years ago last Friday.  Not many humorous moments on that harrowing day, but a priceless one occurs above at about 3:47 as a Hell’s Angel sizes up Jagger.