This is either the best or worst thing I’ve ever seen.
If you film bats upside down, you get a goth club, of course.
In clear violation of the refined sensibilities cultivated on this blog, please enjoy / loathe the above.
- your IT dept should block this
- Australian punk grrl don’t care what you think
- shut up
I’m not much of a Joy Division fan, as I can only take so much post-industrial Midlands desolation. But this one’s pretty good, and Ian Curtis’s stage gestures are interesting to say the least, especially when he really cuts loose at around 3:00.
You bastards might know way more about these guys, so my apologies if what follows is common knowledge. It’s pretty widely known that Ian Curtis hanged himself of the eve of what would have been their first tour of the U.S. Beyond that, I’ve picked up a few interesting facts over the years:
-They formed after seeing the Sex Pistols perform in Manchester. That same gig also inspired the formation of The Buzzcocks and The Smiths.
-Their bass player developed his style of playing in the upper register because when they started out, his amp was so shitty that it wouldn’t reproduce lower notes without sputtering.
-Ian Curtis had epilepsy and based his stage moves on his seizures, to the point that his bandmates could not tell when he was having a real one. This predictably led to some disatrous gigs.
Happy Who Day, mods.
“Pete must be on Ozzy levels of coke!”
Happy Friday, you bastards, you.
In 2012, the documentary I directed about the Antenna club and the vibrant music scene which sprang up around it premiered at the Indie Memphis Film Festival. It had a successful festival run, but a commercial release of Antenna has been repeatedly delayed by music rights issues. With the help of J.D. Reager, we managed to convince Bob Holmes, who had become something of a recluse, to do an interview for the film. For three hours, he regaled us with some of the wildest Memphis music stories I have ever had the good fortune to hear. In order to honor the passing of a Memphis musical genius, I have uploaded the Modifiers segments from Antenna to YouTube and present it here for the first time since 2012.
Thus speaketh documentary director Chris McCoy.
I watched them on Hulu, but they’re available everywhere, I’m sure. The first recommendation is The Quiet One, a film about retired Stone Bill Wyman. I think it was released last summer.
Throughout his three-decade career as a founding member of and bassist for The Rolling Stones, Bill Wyman was known to the world as the “quiet one” in the band. Now, the famously private music legend speaks out about his extraordinary life and experiences as part of “the greatest rock and roll band in the world.” Opening up his vast personal archive—a lifetime’s worth of previously unseen home movies, photographs, and memorabilia—Wyman reflects on his early years with The Stones, the band’s meteoric rise to fame, and his search for a sense of “normalcy” amidst the whirlwind of sex, drugs, and rebellion. Endearingly humble and down-to-earth, Wyman pulls back the curtain to offer a one-of-a-kind perspective on life as a reluctant rock star.
The second is 2007’s Joe Strummer: The Future Is Unwritten, which you bastards have probably already seen. I missed it, somehow.
… paints an uncommonly colorful picture of the onetime leader of The Clash. Director Julien Temple reveals Strummer as more than a punk legend, but a stunning cultural communicator whose influence knew no bounds.
To be purchased with money I would normally be spending on alcohol.