Claude Debussy’s “The Sunken Cathedral” is based on a myth involving, well, a sunken cathedral off the coast of Brittany. The beautiful princess of a prosperous coastal town named Ys had an affair either with Satan or one of his many lieutenants on earth (as beautiful princesses tend to do). As punishment, the town was destroyed by sinking into the sea along with most inhabitants. Local legend held that on certain days you could hear the bells of the cathedral of Ys ringing from below. On other days, it was believed to rise briefly to the surface. Debussy begins by representing both waves and the ringing of the cathedral bells. As the cathedral rises, chanting monks and priests emerge, culminating with the great organ at 2:25: a brief emergence of a grand, underwater zombie Mass of the damned. Then it all sinks again until we just hear the bells. Near the end, the great organ melody makes a muted reappearance from the murky depths.
Beautifully creepy stuff here, with the obsessively perfect Arturo Benedetti Michelangeli looking like he’s playing this from deep within his castle in Transylvania. (He actually never lived in a castle in Transylvania, but for a while he did live in one near Brescia).
2017 Oscar-nominated animated short by Robert Valley. You may have seen his stuff here and there already; I became aware of him on Netflix’s Love Death + Robots. The real mind-blower is that he does all of this in Photoshop, which must take FOREVER.
… but mostly because Welles is an opinionated genius and world-class hater. It’s hard to imagine him being a talk show host who could get guests comfortable.
Throw in Andy Kaufman, and I’m not sure what I was expecting. I was pleasantly surprised. It’s clear that Welles had watched Taxi, and had thought about it in some depth.
“I want to know why it is that you go and wrestle with people, when you can act so well.”
Solid detective work.
From an early set.
Mulaney hosted SNL this past weekend, which can only mean one thing: legitimately funny skits.
Yes, it’s a YouTube commercial for Taylor guitars, but still …
This is as cool as it gets.
One of the measures of a great song is relatability. This one’s got it in spades.