The Smoke

The Smoke seemed destined to be the greatest British band of the 60’s.  Read on for their sad tale of record industry greed, radio station indifference, distribution mishaps, managerial exploitation, personal tragedy, substance abuse, mental instability, and an apathetic, capricious and philistine public…

Just kidding!  They seem to be a classic 60’s case of one-hit wonders.  I’d never heard this song until it popped up in my YouTube feed the other day.  It became a big hit in Germany in ’67 (the year I moved, so I never heard it), but in England its progress up the charts was knee-capped by the BBC for drug references (the BBC did such a great job keeping young Brits off drugs).  The most remarkable thing about this band is that not one of them did anything noteworthy before or after this song.  Usually when you look into British bands with a hit during this period, you’ll find that at least one or two of them before or after played with someone you’ve heard of.  But not these guys.  Anyway, it’s a pretty good song and worth hearing.

Multitalented Bastard

This live Schoolhouse Rock cuts out after a minute or so, sorry.

Jack Sheldon provided that perfect railcar voice (suck it, Boxcar Willie), and opened for Lenny Bruce, and played trumpet for jazz artists of the 1950’s and eventually Merv Griffin.

I Am Everything

Hell yeah, I’m in! Anything more cringe than Pat motherfucking Boone singing “Tutti Frutti?”

Produced by Bungalow Media + Entertainment for CNN Films and HBO Max, in association with Rolling Stone Films, director Lisa Cortés’ Sundance opening night documentary LITTLE RICHARD: I AM EVERYTHING tells the story of the Black queer origins of rock n’ roll, exploding the whitewashed canon of American pop music to reveal the innovator – the originator – Richard Penniman. Through a wealth of archive and performance that brings us into Richard’s complicated inner world, the film unspools the icon’s life story with all its switchbacks and contradictions. In interviews with family, musicians, and cutting-edge Black and queer scholars, the film reveals how Richard created an art form for ultimate self-expression, yet what he gave to the world he was never able to give to himself. Throughout his life, Richard careened like a shiny cracked pinball between God, sex and rock n’ roll. The world tried to put him in a box, but Richard was an omni being who contained multitudes – he was unabashedly everything. Directed by Lisa Cortés, LITTLE RICHARD: I AM EVERYTHING is produced by Robert Friedman, Cortés, Liz Yale Marsh and Caryn Capotosto and Executive Produced by Dee Rees.

No Band, No Problem

When I was at college my band broke up and I started playing solo. I ended up coming by a loop pedal and loved the freedom it gave me. Over the year I’ve added more instruments and effects to my rig as I’ve needed them and my sound output has naturally grown with it. I make a lot of noise for one man.

Funke and the Two Tone Baby. Enjoy some stomp.

Don’t Ask Me What I Want It For

I know it’s probably verging on blasphemy for some when I say I’m really digging Giles Martin’s new stereo mix of Revolver. Thinking very seriously of grabbing it on vinyl.

Looking For Something Spooky To Watch?

First two episodes available today, with two more added each night through the 28th. 75 on Metacritic, I’m in!

Guillermo del Toro – the master of horror – presents a collection of unprecedented and genre-defining stories that will challenge our traditional notions of horror.

Guillermo Del Toro’s Cabinet of Curiosities is an anthology of sinister stories, told by some of today’s most revered horror creators – including the directors of The Babadook, Splice, Mandy, and many more.

Nice Song Ray

When you’re ignorant, everything is new and exciting.

I had no idea that Mr Davies wrote this tune until I learned it in the episode of Waterloo Sunset, which just dropped. It’s awesome.
As are the Pretenders live in London.