They’re from WHERE?

While off down internet wormholes prompted by this blog, I ran across the horrible clickbait article “Best Band from Every State,” which is designed mostly to start fights. It caught my attention because the Boys of Beach, above, and as pictured in the article, might qualify for the California designation… but not without Brian Wilson, SMH.

Anyway, I learned a little band geography and will be curious to see everyone’s reaction. As the sometimes Pacific Northwest rep, I’ll say that they’re right about Idaho, glaringly wrong about Oregon, and a little off with Washington.

Weekend Viewing?

Available for streaming on Apple TV+ October 15.

The Velvet Underground created a new sound that changed the world of music, cementing its place as one of rock and roll’s most revered bands. Directed with the era’s avant-garde spirit by Todd Haynes, this kaleidoscopic oral history combines exclusive interviews with dazzling archival footage.

And this again, just because it kills me every time …

I Can Haz Moar Jazz

Do proto-punks like the Stranglers think they could possibly be as hip as “the world’s coolest insurance salesmen”?  Don’t they know it’s all mistakes? Who wins a fight between 5/4 and 6/8 time signatures?

Sandinista Turns 40

Self-indulgent mess?  Misunderstood masterpiece?  I usually have an opinion on matters musical, but it’s now been forty years and I’m still not sure what to make of this album.  Which may be the point.  Or not.

New Strokes

I’m hearing good things about the next album, due April 10. I lost interest in The Strokes after First Impressions of Earth (2006?!), but I’d be hard-pressed to find a better debut album than Is This It.

Here’s a video for one of the new singles, “Bad Decisions.” If it sounds a lot like “Dancing With Myself,” it’s no accident. The band allegedly gave Billy Idol and Tony James songwriting credits to avoid litigation.

As near as I can tell, the message in the video is that The Strokes will be evolving musically, so if you want rehashed older albums (clones), too bad. Oh, and the band members’ faces are deepfaked onto actors playing the clones. Timely!

25 Or Schulz To 4

The Monkeystador family station wagon, in addition to Beatles ’62-’66, featured a Chicago 8-track tape. Probably Chicago’s Greatest Hits. Enjoy.

”The original recording features an electric guitar solo using a wah-wah pedal by Chicago guitarist Terry Kath, and a lead vocal line in the Aeolian mode.”